If you shoot 24pA you WILL have "marching ants" / Moire / strobing / artifacts" viewable in your footage!
I shot/tested some footage in 24PA on the Panasonic AG-DVX100. 24PA is the 24 frame progressive mode with (3-2-2-3 Pulldown). When I viewed the footage on a normal NTSC TV "marching ants" / Moire / strobing / artifacts" appeared on the edges of certain objects and subjects. IT LOOKED HORRIBLE! Nobody has been able to offer a suggestion for fixing the problem. The only choice is to live with it.
UPDATE: I swaped out the RCA cable I was using to connect the camera to the NTSC TV for an S-Video cable and the "marching ants" / Moire / strobing" practically disappeared.
BUT, PROBLEM NOT SOLVED! Most people will view the footage from either a camera (used as a deck), a VCR or a DVD that connects to their NTSC TV via RCA. Those that use an S-Video cable are exempt from the problem. But, there is no way to eliminate the problem via RCA connections! Just BEWARE of this problem if you think you want to shoot 24pA.
I shot/tested some footage in 24PA on the Panasonic AG-DVX100. 24PA is the 24 frame progressive mode with (3-2-2-3 Pulldown). When I viewed the footage on a normal NTSC TV "marching ants" / Moire / strobing / artifacts" appeared on the edges of certain objects and subjects. IT LOOKED HORRIBLE! Nobody has been able to offer a suggestion for fixing the problem. The only choice is to live with it.
UPDATE: I swaped out the RCA cable I was using to connect the camera to the NTSC TV for an S-Video cable and the "marching ants" / Moire / strobing" practically disappeared.
BUT, PROBLEM NOT SOLVED! Most people will view the footage from either a camera (used as a deck), a VCR or a DVD that connects to their NTSC TV via RCA. Those that use an S-Video cable are exempt from the problem. But, there is no way to eliminate the problem via RCA connections! Just BEWARE of this problem if you think you want to shoot 24pA.