After reading your tutorial on removing color castes I got inspired to try correcting the cast on some of the old 8mm stuff I work on. The results are visually quite dramatic. Getting the brides dress to look white, the snow to look white makes a huge difference to everything in the image.
The grain is still there along with all the other defects BUT if you can get one aspect of the image close to being right the eye seems to forgive the others.
It's about the first time my wife even noticed something I was doing!
Now the downside is the client isn't paying me anymore for the extra effort but what the heck, it's Christmas and they're going to be looking at these DVDs for years to come.
Of course CC isn't the panacea for all the ills of old 8mm, I usually just fins a setting for the whole roll that on average gets it looking better. Oftenly these are 400 foot rolls made up of different stock with different processing and ligting. Ideally I should chop it all up and grade each roll or each scene but not for the oney they'll pay.
Anyway thanks again BB.
The grain is still there along with all the other defects BUT if you can get one aspect of the image close to being right the eye seems to forgive the others.
It's about the first time my wife even noticed something I was doing!
Now the downside is the client isn't paying me anymore for the extra effort but what the heck, it's Christmas and they're going to be looking at these DVDs for years to come.
Of course CC isn't the panacea for all the ills of old 8mm, I usually just fins a setting for the whole roll that on average gets it looking better. Oftenly these are 400 foot rolls made up of different stock with different processing and ligting. Ideally I should chop it all up and grade each roll or each scene but not for the oney they'll pay.
Anyway thanks again BB.