I just noticed that H.265 corresponds to MPEG-H not, for example, MPEG-5.
The H presumably stands for High as in High Efficiency. What comes next? Perhaps they will follow the pattern in HF radio frequency bands: Very High, Ultra High, Super High, Extremely High, Tremendously High, ...
Whenever I see benchmark tests these days, I think of the VW diesel scam. Can we believe them?
This is why I find the whole topic of encoding so fascinating. Just how few bits are truly needed to capture the "essence" of a moving image?
Twenty years ago I thought the roughly 50:1 compression of MPEG-2 to be mind-blowing. Then along comes MPEG-4/H.264/AVCHD that roughly doubles that. Now this new format suggests another doubling.
Of course, these are all very lossy formats. They achieve their amazing compressions by throwing away what the human visual system generally ignores when interpreting a scene. But I have to think that we are close to some sort of brick wall now. I'd like very much to see just how the new format does with noise or random-like images such as ocean waves or moving leaves in trees.
"By definition noise is uncompressible, it is pure "knowledge"."
Definition 4 of Macquarie Dictionary: "Physics a superposition of signals of random frequencies which have no harmony and contain no information. (my bold)
The trick is to recognize what is noise and not try to reproduce it faithfully. Just retain the statistical properties. I often cut out some intruding sound event by replacing it with a bit of background noise copied from nearby. I sometimes reverse it as well, if that is helpful to disguise that it is a copy.
The problem with waves in choppy water is that they do have some order as well as a lot of disorder.