When I first got my FX1 I used the presets for sharpness, saturation, gamma etc. After becoming more familiar and playing with it I changed the gamma to the film-like gamma Sony calls cinematone. I immediately noticed this cine-style gave a greatly improved picture - not just more film-like but much improved video. It goes most of the way to doing what I'm sure most of us do in post during color correction. So I ask "Why do video cameras stick with these video style gammas (that make the picture look like video that nobody wants) when better Gama curves are available?
Michael
Michael