A few months ago, I finally released a program where I used extensive chroma-keying. I got it to work almost entirely because of the help, explanations and suggestions I got on this forum.
The first few months after release were a marketing whirlwind, but I just got a little breathing room and wanted to acknowledge my appreciation to all the folks who provided all the tips and tricks.
I first tried Ultra when it was still owned by Serious Magic, and it just didn’t work. So every key I did was in Vegas. Some clips employ as many as four layers of keying and compositing—and some badly lit sceens—but with a lot of work and the help I got here, I was able to put it together.
So thanks to everyone. This is a great forum.
The first few months after release were a marketing whirlwind, but I just got a little breathing room and wanted to acknowledge my appreciation to all the folks who provided all the tips and tricks.
I first tried Ultra when it was still owned by Serious Magic, and it just didn’t work. So every key I did was in Vegas. Some clips employ as many as four layers of keying and compositing—and some badly lit sceens—but with a lot of work and the help I got here, I was able to put it together.
So thanks to everyone. This is a great forum.