Composites, Mask Generator: Color Channels

NhikRath wrote on 6/9/2002, 1:47 PM
I've started becoming interested in doing green-screen work with my VV3, and have been trying to find out what the best method is out there. I already have some green-screen footage and have been trying to create a good transparency mask in order to place a new background in. I've read all the help topics about compositing and track parents and all that, and have been able to get the basic idea, but I keep running into two problems:

1. When I make a mask, I can't get some parts (like the actors) to be completely opaque, so when I place the new background in, you can see it through the actors.

2. When I take out the green channel, the white gets taken out too. I've tried messing with the high-ins and outs and all that, but all I've been able to do is get less white to come in. I see in the help topic about color channels that the white is indeed transparent whenever another color is transparent; so I suppose my question comes down to: Is there a way to make it so that just the color I choose is transparent, and not the white?

Any help on these two problems, or on another method of doing this type of compositing, would be very welcome. Thank you.

Nhik Rath

Comments

FadeToBlack wrote on 6/9/2002, 2:30 PM
SonyDennis wrote on 6/9/2002, 5:43 PM
Superb tips, GG!

About the only thing I can add is to solo the overlay track, and use the "Alpha as grayscale" from the Overlays menu on the Video Preview, to see where your alpha channel is opaque and where it's transparent. If you really want to get technical while fine-tuning the Chroma Keyer, throw on the Mask Generator filter, set to Alpha mode, and set the Video Preview to a Histogram mode. You should probably see a U-shaped thing; adjust the Chroma Keyer low and high thresholds to pull the U out to the edges.

///d@

P.S. When using the eye dropper to select the Chroma Keyer color, first bypass the effect (or punch "Bypass all video FX" in Video Preview), otherwise the color you're chosing from the Video Preview have already been affected.
watson wrote on 6/9/2002, 9:00 PM
There is one thing that most NLE cannot do well in compressed DV. Chromakey.
There is one capture card that does the best chromakeys I have seen. Canopus RaptorRT
or Storm.
That being said the only software plug in for the Card is Adobe premiere. VV simply blows that software away in almost all areas.
I only wish Sonic Foundry and Canopus would get something together because if they did it would be a simply amazing combination.
Crossing my fingers.
I have both and use VV now for most everything but Chromakey and color correction. They get done in real time using the Canopus card.
W