Downconverted CF25 DV footage converted to 24P in Vegas....

ShannonRawls wrote on 2/13/2005, 11:45 AM
Will someone give us the steps by the numbers. Not allot of discussion, let's not lose focus by talking about outher stuff.

For those of us with a Sony FX1E or Z1U who shoots their project in CF25 mode and will like to use Sony Vegas 5.0d to edit and convert their project to a 24P DVD....how do you do it?

I'll start it off....

Scenario: You are an indie filmmaker and want the so-called 'film-look' that is wonderfully shot in the DVX100a and XL2. However instead of buying those cameras you have purchased a Sony HDV camera because you want the bragging rights of telling people that your stuff is in High-Definition rather then SD and to 'future-proof' your work for the days when you can finally afford to have every room in your house outfitted with a 42" plasma and a HD-DVD player! *smile* You have read everywhere on the WWW to shoot your project in CF25 mode for many reasons we won't get into. You agree to do it. Your pre/production workflow is to Shoot in HDV so that your MiniDV tapes will have the footage in HiDef (so in the event you wish to deliver your movie in high def you can, by onlining it later). You don't have a Super-Computer, so you have decided to 'cut' your project in SD by capturing your footage, not in HDV, but rather in DV format so you can cut it like normal. To do this, you tell the camera to do an 'in-camera' downconversion via firewire. You have now reached post production. What are your steps????

1. Shoot your project in CF25 mode with your Sony HDV camera.

2. Downconvert the CF25 HDV footage to your computer via Firewire.

3. Open up your Sony Vegas 5.0d program

now what?

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10. You now have a 24p DVD with a wonderful looking movie that carries the cadence of a Hollywood movie that you can show off to your friends & family and submit to festivals and prospective buyers. You also have the bragging rights of saying you have the same movie in High Definition and can be delivered in HD at anytime.
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Will someone fill in those blanks above for us please??

- Shannon W. Rawls

Comments

Spot|DSE wrote on 2/13/2005, 12:36 PM
Shannon,
The workflow for this is no different than doing any other 24p convention from Vegas, except for the project settings. Why are you downconverting in camera though? Vegas does a better job, IMO, based on Chipcharts and focus plates.
You could use Ultimate S to do this quickly, or Celluloid, or you can follow the steps outlined at http://www.sundancemediagroup.com/tutorials/filmlook.htm or at http://www.digitalproducer.com/articles/viewarticle.jsp?id=22424
taliesin wrote on 2/13/2005, 1:45 PM
If it is for a DVD - in my humble opinion - there is no need at all to downsample to 24p to have a nice filmlook if you already shot your stuff in 25p. 25p is perfect for what you plan to do and anything to do after shooting is to set your Vegas project setting to progressiv and again render to progressiv.

Marco
ShannonRawls wrote on 2/13/2005, 8:30 PM
Ok, cool Spot. I think imma purchase the full version of Ultimatte S.

thanks again,

- ShannonRawls.com