Hi, just got Vegas Pro 18/19 and I'm having a problem trying to export V-Log V-Gamut footage as HDR10 but P3-D65 limited and the metadata is incorrect for color primaries. I've tried setting the view transform to match P3-D65 ST2084 1000 nits (ACES) and also the default Rec. 2020 ST2084 1000 nits (ACES) and both give my final video rec 2020 color mastering primaries according to media info.
However, the color spaces seem to be working as intended, as the davinci resolve CIE chromaticity scope seems to tell me the file is limited to P3-D65 as compared to the same file rendered in rec 2020. Is this just a problem of the metadata not being created properly? Where it says "mastering color primaries" in media info it should say "Display P3", right? Most of my 4k blu rays' media info say this.
My source file is V-Log V-Gamut.
Here's the output render settings according to P3-D65 ST2084 1000 nits (ACES) with the P3-D65 ST2084 1000 nits (ACES) view transform. I have also tried the default rec 2020 1000 nits view transform. Same result.
Output file media info for video:
Video ID : 2 Format : HEVC Format/Info : High Efficiency Video Coding Format profile : Main 10@L5@Main HDR format : SMPTE ST 2086, HDR10 compatible Codec ID : hvc1 Codec ID/Info : High Efficiency Video Coding Duration : 2 s 211 ms Bit rate : 21.6 Mb/s Width : 3 840 pixels Height : 2 160 pixels Display aspect ratio : 16:9 Frame rate mode : Constant Frame rate : 23.976 (24000/1001) FPS Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 10 bits Bits/(Pixel*Frame) : 0.109 Stream size : 5.70 MiB (99%) Language : English Encoded date : UTC 2021-08-22 14:17:26 Tagged date : UTC 2021-08-22 14:17:26 Color range : Limited Color primaries : BT.2020 Transfer characteristics : PQ Matrix coefficients : BT.2020 non-constant Mastering display color pri : BT.2020 Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2 Codec configuration box : hvcC
All below scopes are from the same frame exported differently in vegas pro 18/19
File exported in P3-D65 ST2084 1000 nits (ACES) davinci CIE scope (project set to P3-D65 1000 nits timeline)
File exported in Rec. 2020 ST2084 1000 nits (ACES) davinci CIE scope (project set to rec 2020 1000 nits timeline)
To make sure the first scope is not incorrect I have incorrectly set this project to rec 2020 1000 nits for timeline color space for the following P3D65 clip (first one):
As you can see it has stretched it out incorrectly, so I believe it is indeed P3D65 limited.
For more background info on why I think this is a problem, here's the media info from a 4k blu ray mastered in P3:
Video ID : 1 ID in the original source m : 4113 (0x1011) Format : HEVC Format/Info : High Efficiency Video Coding Format profile : Main 10@L5.1@High HDR format : Dolby Vision, Version 1.0, dvhe.07.06, BL+EL+RPU, Blu-ray compatible / SMPTE ST 2086, HDR10 compatible Codec ID : V_MPEGH/ISO/HEVC Duration : 1 min 5 s Bit rate : 62.4 Mb/s Width : 3 840 pixels Height : 2 160 pixels Display aspect ratio : 16:9 Frame rate mode : Constant Frame rate : 23.976 (24000/1001) FPS Color space : YUV Chroma subsampling : 4:2:0 (Type 2) Bit depth : 10 bits Bits/(Pixel*Frame) : 0.314 Stream size : 491 MiB (93%) Language : English Default : No Forced : No Color range : Limited Color primaries : BT.2020 Transfer characteristics : PQ Matrix coefficients : BT.2020 non-constant Mastering display color pri : Display P3 Mastering display luminance : min: 0.0050 cd/m2, max: 1000 cd/m2 Original source medium : Blu-ray
So to sum this up, is there a way to make my color mastering primaries Display P3 in the metadata of my files that are exported correctly in P3-D65 1000 nits in HDR10?