Well, sometimes yer learns something new .. .each day . .
I had to very carefully "edit" my final final FINAL draft for my client .. he sayd, "Er . .maybe we shouldn't have . . . in the film ". . Okay, I say . .no problem .. He WOULD pick a mass of dissolves and stuff fyling about the screen - -arrrghhhh . .!
Well, I created a new itsy bitsy 4 second thingie, put it on the track above the "offending" section, selected it and used the 4 and 6 on the keypad to "creep" it backwards and forwards. Hmmm.. I think that's not good enough I can't actually "see" through track one and see where the new track should stop and start. No problem .. I reduced the opacity of track one so I could then see through it and exactly marry up the two tracks. DONE! . . and all because I could use the 4 and 6 keypad keys . .YEAH!
Thank You and Goodnite!
Grazie
I had to very carefully "edit" my final final FINAL draft for my client .. he sayd, "Er . .maybe we shouldn't have . . . in the film ". . Okay, I say . .no problem .. He WOULD pick a mass of dissolves and stuff fyling about the screen - -arrrghhhh . .!
Well, I created a new itsy bitsy 4 second thingie, put it on the track above the "offending" section, selected it and used the 4 and 6 on the keypad to "creep" it backwards and forwards. Hmmm.. I think that's not good enough I can't actually "see" through track one and see where the new track should stop and start. No problem .. I reduced the opacity of track one so I could then see through it and exactly marry up the two tracks. DONE! . . and all because I could use the 4 and 6 keypad keys . .YEAH!
Thank You and Goodnite!
Grazie