I've been working with lu_zero, a determined libav developer, for what seems like a year now, and DNxHD 10 bit 444 Mb/s (actually 4:2:2) now opens in Handbrake, and probably any frontend using the newest libav 10 libraries. Implementation by ffmpeg should come at some point as well, if it's not already there.
What this means for Vegas editors includes:
Flawless transfer of 10 bit source to Handbrake with reduced decoder mangling.
Reduced color banding in gradients.
More accurate reporting of grading from 32 bit float projects.
Stunning output from CG and Animation sources.
** Disclaimer: If your video source doesn't meet the criteria just above, it is unlikely that you will see much difference in the output. Most video is
[EDITED]
By way of explanation, Handbrake output is still 8 bit 4:2:0 x264. However, its internal engine converts 10 bit 4:2:2 source much better than can be done in Vegas, visibly reducing subsampling artifacts and banding. This, along with the acknowledged decomb and resizing advantages Handbrake already has to offer, make it a natural for first-tier editors who are encoding for mass delivery.
The codec was developed for Arri Alexa acquisition, but is a very worthy intermediate for editors, given improved door-to-door compatibility.
In all fairness, the same can be accomplished with a 10 bit Sony YUV intermediate from Vegas, but at three times the file size [edited].
You need a Handbrake nightly build and Avid LE 2.3.8 or better in order to play with this new import capability.
http://forum.handbrake.fr/viewtopic.php?f=11&t=15901
http://avid.force.com/pkb/articles/en_US/download/Avid-Codecs-LE-2-3-9
What this means for Vegas editors includes:
Flawless transfer of 10 bit source to Handbrake with reduced decoder mangling.
Reduced color banding in gradients.
More accurate reporting of grading from 32 bit float projects.
Stunning output from CG and Animation sources.
** Disclaimer: If your video source doesn't meet the criteria just above, it is unlikely that you will see much difference in the output. Most video is
[EDITED]
By way of explanation, Handbrake output is still 8 bit 4:2:0 x264. However, its internal engine converts 10 bit 4:2:2 source much better than can be done in Vegas, visibly reducing subsampling artifacts and banding. This, along with the acknowledged decomb and resizing advantages Handbrake already has to offer, make it a natural for first-tier editors who are encoding for mass delivery.
The codec was developed for Arri Alexa acquisition, but is a very worthy intermediate for editors, given improved door-to-door compatibility.
In all fairness, the same can be accomplished with a 10 bit Sony YUV intermediate from Vegas, but at three times the file size [edited].
You need a Handbrake nightly build and Avid LE 2.3.8 or better in order to play with this new import capability.
http://forum.handbrake.fr/viewtopic.php?f=11&t=15901
http://avid.force.com/pkb/articles/en_US/download/Avid-Codecs-LE-2-3-9