I have a Rode mic with a sponge wind jammer but would like to make a deadcat. Is there anything I should be aware of? I'm thinking of making it over the sponge wind jammer.
Get fabric with the longest and most flexible fur you can find (within reason, of course.) Also important is that deadcat windscreens depend on the acoustic transparency of the backing fabric so find something that's made of thin and open material so the soundwaves travel easily through it.
Maybe the best faux fur for DIY deadcat purposes is made by a company called "Tissavel" and is available through a web site called "Premium Furs." They will send you small, free samples.
Where he said he had bought far too much, "fur" . . . and notice how longingly he looks at the "fur" . . now look at his bonce? - Coincidence? I don't think so!
Maybe, previously he's stood in front of those fans for far too long . . .. as a teenager too?
I think using both the foam and a Windjammer (for my Sony stereo mics) does the best job, because the foam helps insure only dead air around the capsules. Perhaps a slight hit to the highs.
The various DIY blimp guides speak about attenuating wind noise, but the natural wind, as such, is not noisy in the audio range of frequencies. Frequency is proportional to the size of turbulence cells and in the wind these are relatively large. The wind generated close to a fan is characterised by high turbulence with pulses at blade passing frequency. So I think the demos are a guide but of dubious quantitative value, especially the indication that a Rode dead-cat is of little benefit when added to the foam windshield.
Of course windshield isn't a good descriptive term because it suggests that it stops the wind. The function of the dead-cat is to remove all turbulence and let the mic sit in a nicely laminar airflow that doesn't buffet the microphone cell. It has to achieve that nice compromise of being open to audio frequencies while removing wind turbulence, while itself not generating noise (hence the fur).
Well, I guess the benefit of the DIY is that it's cheap, which is a real benefit for the amateur film maker. But I agree whole-heartedly about properly made gear. The Rycote blimp works for me. But needs its furry coat when there is much wind.
Be nice if things really worked out that way! Costco just sent a flyer promising $950 of savings. I only have to buy a lot of things (including a TV) that I don't want.
But there is a lot of gear that you can make yourself very successfully, and it is just a matter of making sure that the time spent could not have earned more than you saved by not buying the professionally made stuff. If your time is worth $1000/day, it doesn't make a lot of sense to spend a day saving $300. Maybe the fun of inventing is worth $700!
There are many alternatives suggested in the DIY posts, and one recommends woolly sheepskin seat belt covers. Should keep the wind out very well, and the audio.
I posted the question about the $4 material on the Vimeo site for the DIY Deadcat and the author answered right away.
He said:
"I went to what I guess would be called a surplus fabric shop in Phoenix, SAS Fabrics, where they sell bolt ends, etc. They usually sell by the pound."