This story is more interesting: http://www.msnbc.msn.com/id/6560688/
I think the issues at stake in that claim could have a very far reaching impact if they were to succeed, which I hope is highly unlikely.
Bob.
Bob, which "they" are you talking about? Google or Perfect 10? Looks to me like a simple case of copyright infringment. What do you see as the big issue here?
John, my question is why should the industry need to depend upon the government to explain to them how to determine and collect royalties? Why can't they do this themselves like other businesses do?
Because they tried, more than once. And it was determined that big labels and print music companies would consistently negotiate in their favor. Stephen Foster was one of the musicians that finally pushed this. Mechanicals are mandated by Congress, always have been, and likely always will be. It's pretty hard to screw with mechanical royalties, they never expire, and can easily be determined, unlike sales of songs. So, when royalties on a song peter out, mechanicals are still there. Doesn't make sense, but that's what's called "Hollywood accounting."
This is only related to mechanicals, nothing else.