OT: Tips on audio recording over a network

Zwampen wrote on 6/14/2006, 8:02 AM
Hi,

I am thinking of setting up a speaker booth for our company in a dedicated room. In here people are going to do voice-overs and stuff like that. I want to be able to record what is being said in the microphone on any of the editing systems in the office (in other rooms).

I think there must be a way of doing this over the network, which is everywhere in the office (10/100 Mbps Ethernet). We use Vegas and Avid Xpress for our editing stations. I prefer the audio files to be stored on the editing station currently in use.

Has anybody done this? Can I use any virtual device drivers on the editing systems to pick the audio up from the sound booth computer? Anyd server client server audio recording software out there?

Comments

Chienworks wrote on 6/14/2006, 8:23 AM
Well, something as simple as Windows NetMeeting can do this, but i don't know if you can ramp it up to studio quality.

I've seen several manufacturers offer analog to ethernet audio converters. Primarily they're used to deliver multiple monitor channels to the stage with a single ethernet cable but i can see them being useful for your situation too. Typically they'll have a box at one end with 8 analog audio inputs and an ethernet jack. The box at the other end has an ethernet jack and 8 analog audio outs. I'm pretty sure both Shure and ElectroVoice make these. Probably others do as well. Now, what i don't know is whether you could install some software on your PC to fetch the stream without having to go back to analog first.

There are some mixers that have USB or Firewire connections to allow straight to PC recording. Perhaps one of these with a USB or Firewire to ethernet converter would do the job. The software that comes with them can be installed on the remote PC, but you'd probably need an ethernet to USB or Firewire converter at that end too.
Zwampen wrote on 6/14/2006, 11:26 AM
I would like to buy as little stuff as possible. Perhaps I could buy the "ethernet audio encoder" in the sound booth, but I don't think an "ethernet audio decoder" for every is possible. It sounds like they are quite expensive.

Perhaps a shoutcast kind of thing with 320 kbps MP3 (or even better uncompressed) audio for the sound booth, and then picking it up on the editing systems with a player that is routed to a virtual device that is seen as sound card in Vegas and Avid. If I just could find a virtual audio device to test with...

Chienworks wrote on 6/14/2006, 11:33 AM
Most consumer grade sound cards let you route any playing audio back into the card to be recorded. Pro cards often can accomplish this simply by plugging a jumper wire between the outs and the ins.

Heck, try it with any meeting/instant messaging/internet telephone software you already have installed just to see how it will work. The only place you can go from there is up to higher quality.
johnmeyer wrote on 6/14/2006, 1:58 PM
Another option that will give you virtually perfect audio can be done if you have a spare CAT5 run between the offices. You can buy a converter that lets you run analog audio over CAT5 (and baseband video as well). Basically it is nothing more than a unbalanced to balanced converter, with RCA connectors on one end and a CAT5 modular jack on the other. I use one almost every day to take audio from my main stereo system up to my editing office. I actually had to run the CAT5 because I'd already used up the three CAT5 runs into my office.

I also use this in the field. If I need to get audio from the sound board, I bring these two gadgets with me, along with about 300 feet of CAT5. The neat thing about this is that since the gadgets have transformers in them, and since the CAT5 is balanced, there is virtually no hum pickup.

Highly recommended.

Oh, the part number. Mine is a Unicom Video/Audio Adapter P/N VAA-U501-A. There are also models that accommodate S-video instead of composite.

[Edit] Here's a link to a picture and description. I got this from Google, so I am not necessarily recommending this particular store:

Unicom Adapter


Zwampen wrote on 6/14/2006, 2:11 PM
Thanks for the suggestion. I've heard CAT5 cables work nicely as speaker cables too.

I don't think we can use it though as the network is a regular switched "star"-net and we don't have any spare lenghts in the office. Would have been cool though.

I am still conviced that it can be done with a virtual audio device of some kind on the editing systems, that listens to an audio stream from the sound booth...
Chienworks wrote on 6/14/2006, 3:24 PM
CAT5 is a bit thin for the power that usually goes to speakers. I wouldn't trust it for more than maybe 10 watts.

There are also two different kinds of CAT5: solid and stranded. The stranded type is substantially better for carrying audio. However, most installations use solid.

Not to disagree with John's post, and i'm sure he's accurately relating his experiences, but using a nearly identical setup i've seen enough hum to be unusable. Maybe he's just got better transformers than what i was using. Or maybe his twisted pair had more twists than mine. *shrug* Try it. Your milage may vary.
farss wrote on 6/14/2006, 4:05 PM
I think the sort of setup you really need is a mic preamp in the booth feeding a sound card in a PC that's running some form of streaming software. Trying to stream audio packets over a typical network unless it's a switched network would be very problematic, you cannot afford to have contention issues causing packets to be resent.
Also to be workable your going to need talkback I think.
I know something like this is done with links that span the globe but they use dedicated bandwidth on ISDN, not a lot of bandwidth but the critical point is it's a dedicated pipe, no contention issues.

Digigram might have what you're looking for although most of their stuff would be overkill.

If you don't need real time streaming then of course piece of cake to do.

Bob.
johnmeyer wrote on 6/14/2006, 8:47 PM
CAT5 is a bit thin for the power that usually goes to speakers.

Not to disagree with John's post, and i'm sure he's accurately relating his experiences, but using a nearly identical setup i've seen enough hum to be unusable.

Two misunderstandings here. First, this is baseband video (1 volt P-P), and line level audio. You CANNOT drive a speaker using this setup.

As for hum, you must have had bad equipment. If you get any hum or interfernece at all, it will be WAY down in the mud. My CAT5 here is strung across (although not parallel to) power lines, and around various light fixtures. It goes through my equipment closet. Total length is well over 150 feet. The video DID have hum because it turns out that this cheap device did NOT have a transformer for the video. I had to add my own external balum to kill the hum bars. The audio, however, is quite clean. This has been true when I've used it in the field.

Of course, no matter what setup you have, hum can creep in from 100 different places. When I was trying to get this all set up about three years ago, I gave myself a graduate course in groud loops. However, I am sure that there are a few phDs on this board that know a whole lot more about it than I ever will.
jrazz wrote on 6/14/2006, 8:57 PM
I had to add my own external balum to kill the hum bars.

John, what did you use? Did you just pick one up at radio shack? I have a 75 foot long RCA cord going from our projector to the board and it is getting the horizontal lines running up the screen. I can run video through the VGA cord and it is clear. I guess I could always do some trial and error and place it/them throughout the setup, but popping those tiles back out sure isn't fun!

j razz
johnmeyer wrote on 6/14/2006, 11:50 PM
John, what did you use? Did you just pick one up at radio shack?

No, RS won't have what you need. The usual device is called a "humbucker." The one I use is "ISO-MAX, Model VB-1RR" and is called a "video isolator." It is actually manufactured by Jensen, which is how you will find it if you search using Google.

I actually pulled apart several junction boxes looked for shared grounds on opposite phases (one of the biggest culprits in ground loops) but couldn't track down the cause. I was getting some pretty hasty hum bars. I plugged this between my video input and the incoming video and the hum bars went away completely.

Here's a link to the Jensen page:

Jensen Transformers
Zwampen wrote on 6/15/2006, 5:19 AM
I tried with Windows Media Encoder on he sound booth encoder but the delay was about 4 seconds. It was cool though that it is possible to stream uncompressed audio.

Is there any other tool with shorter delay (< 1s) doing uncompressed?
johnmeyer wrote on 6/15/2006, 7:49 AM
You're always going to have a delay (watch over-the-air and satellite broadcast of same event, or listen to someone talking on netmeeting to someone in the next room). One second is pretty much the norm for audio-only.

An even more obvious answer to your problem is to use a wireless mic. Don't get hung up on trying to do it over the network. With wireless, you could be up and running in about two minutes.