I'm going to be shooting and cutting a :15 that will be shown in a few Regal Cinemas on their pre-show system called 'The 2WENTY'.
I'd like to shoot in 16:9 anamophic witha DVX100a, and eventually render to an uncompressed AVI for hard disk delivery to CineMedia.
Anybody ever had any experiences with this sort of thing? I'm trying to figure out what frame rate to shoot at.
There specs are outlined here. On page 20 they say:
Alternate delivery of HD Content ONLY
1. Build your NLE timeline as 720P/59.94
2. Video source needs to be edge-to-edge 16:9 video adhering to title safe specs
3. 2-Channel Lt/Rt audio should be placed on timeline using -20dBFS reference level (for 5.1 discrete mixes see pg. 4 .wav option). Keep audio clean, as a “dry mix,” and avoid audio reverb effects.
4. Export QuickTime .mov or .avi
a. 1280x720 frame size
b. 59.94 frames per second
c. Use the “No Compression,” or “None,” Codec
5. Place on data DVD-R or FireWire/USB 2.0 hard drive for submission.
I'd like to shoot in 16:9 anamophic witha DVX100a, and eventually render to an uncompressed AVI for hard disk delivery to CineMedia.
Anybody ever had any experiences with this sort of thing? I'm trying to figure out what frame rate to shoot at.
There specs are outlined here. On page 20 they say:
Alternate delivery of HD Content ONLY
1. Build your NLE timeline as 720P/59.94
2. Video source needs to be edge-to-edge 16:9 video adhering to title safe specs
3. 2-Channel Lt/Rt audio should be placed on timeline using -20dBFS reference level (for 5.1 discrete mixes see pg. 4 .wav option). Keep audio clean, as a “dry mix,” and avoid audio reverb effects.
4. Export QuickTime .mov or .avi
a. 1280x720 frame size
b. 59.94 frames per second
c. Use the “No Compression,” or “None,” Codec
5. Place on data DVD-R or FireWire/USB 2.0 hard drive for submission.