Not being as tech savvy as some of the other forum members, I wanted to ask some questions regarding 8 versus 10 bit color space as it applies to shooting and editing.
My main type of work typically doesn't entail a massive amount of color correction and I utilize straight cuts and dissolves 99% time.
Having said that - how does the 32bit float mode actually benefit me - or does it?
I'm getting settled on my choice of HDV camera to work with underwater and wanted to know what Vegas Pro 8's 32bit float mode for editing brings to the table - if anything.
Also - can HDV footage shot on a consumer camera be brought in uncompressed with Vegas and if so - how is that done? Can the same thing be done with standard def minidv cameras like my TRV950's?
I hear terms like HDMI and Decklink cards being bantered about but this is a whole new realm for me and any experience others are willing to share would be greatly appreciated.
Cliff Etzel
bluprojekt
My main type of work typically doesn't entail a massive amount of color correction and I utilize straight cuts and dissolves 99% time.
Having said that - how does the 32bit float mode actually benefit me - or does it?
I'm getting settled on my choice of HDV camera to work with underwater and wanted to know what Vegas Pro 8's 32bit float mode for editing brings to the table - if anything.
Also - can HDV footage shot on a consumer camera be brought in uncompressed with Vegas and if so - how is that done? Can the same thing be done with standard def minidv cameras like my TRV950's?
I hear terms like HDMI and Decklink cards being bantered about but this is a whole new realm for me and any experience others are willing to share would be greatly appreciated.
Cliff Etzel
bluprojekt