SI-2K beats RED to 1st great film--Slumdog Million

busterkeaton wrote on 12/6/2008, 1:06 AM
I saw Slumdog Millionaire tonight. Fantastic film about a slum kid from Mumbai who somehow winds up on "How to Be a Millionaire." It's also somehow a comedy, a travelogue, a social expose, a gangster movie, among other things.

Mumbai has a population of 19 million people (!) and the movie was shot on tiny, narrow streets teeming with people. The film crew didn't want to go in with big movie cameras. The movie was shot on Silicon Imaging SI-2K, which is a digital camera that is a lens head that connects to a computer DVR hookup. The cameramen would carry the lens in their hands while ethernet cables ran up their sleeve to a backback that held the DVR. This allowed them to blend in the crowds. The cinematography is awesome. It doesn't look like film, but it's a very good looking movie.

The Red One has gotten tons of hype, but it seems it's also not to easy to work with. As of yet, I don't think it's been used in a major film.

Slumdog will be a major arthouse hit all over the world. It will probably be nominated for Best Adapted Screenplay. The way the story is told, is very well done. Part of the film is in Hindi, and it has the coolest subtitles I've seen. They use the subtitles as part of the visual look of the film.

Comments

farss wrote on 12/7/2008, 5:25 AM
If anyone's interested here is a link to the rig used for the handheld shots. The recording device was basically a Macbook in fancy housing in a backpack.

Just for the record Slumdog is not the first movie shot with the SI-2K and significant movies have been shot with the Red One. If Slumdog does well and it is getting good press, then it does open the doors for low budget indie productions using any of the more affordable digital film cameras. Probably also worth a mention that the SI-2K uses the Cineform codec, unfortunately it's the higher end one that will not run under Vegas.
The other recording option in the SI-2K is DNG, that's an open source codec gaining a lot of favor. Sadly it too is a no show in Vegas. All I can say to that is 'come one SCS, it's FREE!'

Bob.
Spot|DSE wrote on 12/7/2008, 8:29 AM
The other recording option in the SI-2K is DNG, that's an open source codec gaining a lot of favor. Sadly it too is a no show in Vegas.

It's been brougth up in many backroom discussions..
rmack350 wrote on 12/7/2008, 1:06 PM
I saw it last night too and loved the film. Definitely go see it if you have decent theaters near you that willl show it.

Rob Mack
farss wrote on 1/23/2009, 2:58 AM
Slumdog gets 10 Oscar nominations.

More work shot with the SI-2K:


Bob.



rs170a wrote on 1/23/2009, 4:05 AM
Here's a link to an article on Resul Pookutty who was the Production Sound Mixer and ADR Supervisor on the film.
Hopefully it'll make you appreciate the film's audio a bit more.

Mike
David Newman wrote on 1/23/2009, 9:58 AM
The CineForm RAW codec using on Slumdog Millionaire does run in Vegas. The issue is not the codec, rather the 8-bit VfW interface for with we are currently forced to use. When you are shooting RAW, 8-bit is too limiting. Fortunately we see opportunities for 32-bit I/O in the future for CineForm within Vegas, then CineForm RAW/444 originated material will ideal for Vegas (and visa versa.)

David Newman
CTO, CineForm
busterkeaton wrote on 2/23/2009, 8:18 AM
I figured it was a lock for Best Adapted Screenplay from day I saw it.

I was happily surprised that it won for Best Cinematography and Best Sound.
rs170a wrote on 2/23/2009, 8:31 AM
My wife and I finally saw it on Saturday night and, IMHO, it deserved every Oscar that it got.
The part of the ceremony I liked best was when Christian Colson brought up everyone from the film that was in attendance that night to share in the winning of the Best Picture Oscar.

Mike
Grazie wrote on 2/23/2009, 11:00 AM
Oh my eye!

Anil Kapoor, star of 'Slumdog Millionaire' goes/went to the same school as I did, way back when . . .

I nearly fell orf me chair when I just saw it appear on the tellie . .

Very proud of yah Anil!!!

Grazie

(back then it was called "Lascelles")
DGates wrote on 2/23/2009, 9:48 PM
You should do some research before you claim a film hasn't been shot on Red yet.

http://www.red.com/shot_on_red/
Grazie wrote on 2/23/2009, 9:55 PM
I saw "Crossing the Line" at IBC 07(?) - that was shot on a RED. Maybe it was the "1st great film" comment that puts all this to one side? Dunno . . .

Grazie
DGates wrote on 2/23/2009, 9:58 PM
That's true. "Jumper" was from from great, but it was the first wide-released feature shot on Red.
deusx wrote on 2/23/2009, 10:59 PM
Actually not a single film has nor will ever be shot with either of these setups.
farss wrote on 2/23/2009, 11:49 PM
Some of you might be interested in the press release from Silicon Imaging.

Also worth mentioning that the SI-2K grew out of DVInfo starting in 2004. Interesting what can be achieved by a small company harnessing the power of its users. Well even that's not quite correct as it was people trying to build their own cameras and SI deciding to help them out that got it all started.


Bob.

DGates wrote on 2/24/2009, 12:07 AM
Desux, you're living in your own world.
farss wrote on 2/24/2009, 12:09 AM
He was nit picking, none of those camera use "film".

Bob.

DGates wrote on 2/24/2009, 12:10 AM
Even if Red had a feature or two shot before it, having a film win the Academy Award is one huge feather in SI's cap.
DGates wrote on 2/24/2009, 12:15 AM
'Film' is a relative term, not a descriptive one.
Brad C. wrote on 2/24/2009, 12:21 AM
DGates- "'Film' is a relative term, not a descriptive one."

Agreed. "Shot a film" vs. "Shon on film"



busterkeaton wrote on 2/24/2009, 9:30 AM
Yes, I figured films had been shot on RED, but I was indeed making a distinction about a great film.

Later on where I said "major" I should have said "important."
busterkeaton wrote on 2/24/2009, 9:35 AM
From the press release:
“The SI-2K’s handled the highlights amazingly well.” stated Mantle. “I have since shot on the Red camera and found I had to be more wary of clipping the highlights in Scandinavia than I had to be with the SI2K in scorching India.”

It would be interesting to hear him, list out the both the strengths and weaknesses of SI-2K, relative to RED.
apit34356 wrote on 2/24/2009, 9:50 AM
I think the work flow with SI-2K and it's output in "Slumdog Million" would be interesting. Also the post production colourization, etc........