I remember a few weeks ago there was a thread on this Board containing a link to your site. The topic on the site was about using an alternative to record audio for HDV, and as I recall you stated that MiniDisc would not be a viable method because of a severe frequency cutoff around 10KHz.
I've used little cheap Sharp MD-MT15 Minidisc recorders quite a bit for my surround-sound field recording, and after reading the article, I shrugged my shoulders and thought, "What the heck; for surround sound even 10K is probably good enough."
But curiosity got the better of me tonight, and I recorded a white noise sample onto Minidisc (using one of the Sharp units) and then back off into Vegas. I threw the Noise Reduction filter on the timeline, not to use the noise reduction effect, but rather to use it as a quick spectrum analyzer. To my surprise, this is what I got. To my eyes, the Minidisc recording looks absolutely flat to about 17.5KHz, then drops like a rock.
Of course, Minidisc uses a lossy data-reduction method, which in some cases might somehow interfere with certain kinds of post-processing. Nonetheless, a 17.5KHz reach is probably good enough for a whole lot of practical uses, and is far better than the 10KHz cutoff you experienced. Incidentally, I typically buy these little Sharp Minidisc units on eBay for about $70.
I'm not as well-versed with Sound Forge, but I put the clip in SF6 a little while ago and the spectrum analyzer there shows the same thing.
If this data is true, you might want to have someone run tests on several Minidisc recorders in order to see why there is such a large discrepancy.
I've used little cheap Sharp MD-MT15 Minidisc recorders quite a bit for my surround-sound field recording, and after reading the article, I shrugged my shoulders and thought, "What the heck; for surround sound even 10K is probably good enough."
But curiosity got the better of me tonight, and I recorded a white noise sample onto Minidisc (using one of the Sharp units) and then back off into Vegas. I threw the Noise Reduction filter on the timeline, not to use the noise reduction effect, but rather to use it as a quick spectrum analyzer. To my surprise, this is what I got. To my eyes, the Minidisc recording looks absolutely flat to about 17.5KHz, then drops like a rock.
Of course, Minidisc uses a lossy data-reduction method, which in some cases might somehow interfere with certain kinds of post-processing. Nonetheless, a 17.5KHz reach is probably good enough for a whole lot of practical uses, and is far better than the 10KHz cutoff you experienced. Incidentally, I typically buy these little Sharp Minidisc units on eBay for about $70.
I'm not as well-versed with Sound Forge, but I put the clip in SF6 a little while ago and the spectrum analyzer there shows the same thing.
If this data is true, you might want to have someone run tests on several Minidisc recorders in order to see why there is such a large discrepancy.