For me, it is one that been around for awhile and have saved me countless hours over scrubbing timelines. I believe it was written by john meyer...it looks for short gaps between clips. been a lifesaver
Well... it used to be johnmeyer's "cuts only" script, but it hasn't been working very reliably since V6 came out (can we have an update, please, John?).
Now, I guess it would be Batch Render GUI (JHM) -- also a johnmeyer creation, I believe.
Well... it used to be johnmeyer's "cuts only" script, but it hasn't been working very reliably since V6 came out (can we have an update, please, John?).
Your wish ...
I have a cuts-only script for Vegas 6. It has also been updated -- as of two days ago -- to support multiple takes.
I just uploaded the new cuts-only scripts over in the scripts forum:
I also uploaded them to the VASST site, but they won't be available until they are approved. That upload includes the third script (which selects under the cursor), and also a readme file that describes how the scripts are used. They are all in one tidy zip file. I use these scripts every day, so I think the major kinks have been worked out. Sony keeps breaking scripts every time they update Vegas. Kinda takes the fun out of developing ...
Also, I have several audit scripts:
1. The one that looks for gaps on the selected track (you have to run it for each track -- it was too confusing to look for gaps on ALL tracks);
2. The one that looks for "nudged" opacity levels;
3. And one that finds events where there is more than one keyframe, but no keyframe on the last frame. This last one is a lifesaver if you do any keyframing of still photos. As soon as you lengthen the still photo, the last keyframe stays in its original location rather than "sticking" at the end of the event. If you shorten or lengthen the "front" of the event, this problem doesn't happen.
I have another one that I never published, but is a HUGE timesaver. It is dirt-simple: place the cursor near the end of the event. Run the script. You now have a fade to black from that location to the end of the event AND also for the audio. In addition, the FOLLOWING event fades UP from black for exactly the same duration, again both on the audio and video tracks. Even is you want to adjust the fades, being able to "one-click" the starting point, and also having the starting point determined by the location of the cursor, really makes things go fast.
I have tried repeatedly to get Sony to understand the cursor location needs to be much more central to editing decisions.
Someone mentioned reduce interlace flicker. Ed (Troxell) wrote that, but I made some modifications a year ago. My notes don't tell me what I did, but I know it works better (for me) since I made the changes.
Boy, did I violate Grazie's rules for posting in this thread!
i would be lost without my 'select all events to end' script. it selects all events on all tracks under and after the timeline cursor. there are other ways to do this, but for me, this is the easiest. I forget who wrote it for me...one of the 'Johns' I think.
(1)The Peachrock batch render
(2)The Excalibur scripts that let me determine how to split a track(s) - the 'Select Events' tab
(3)The UltimateS 'Photomontage' tools.