Since this is my 2nd post today, I'll confess that I'm a first time user of CD Architect. Sorry to ask dumb questions.
I'm working on a CD. I notice that as I work, the end of the track is getting confusing. I guess I would have thoiught that as I slid a chunk of music back and forth, the track would keep lined up with the start and end of the music.
Anyway, I'm trying to live with the 2 second gap between songs, but I'm confused about the "end of the track" vs the "end of the sound byte."
When I play a test CD, I'm hearing soft burps at the very end of some tracks - perhaps only those tracks which I"m trying to do a fade out on.
My guess is that if I extend the "track" so it's longer than the "sound byte" I can eliminate this, but I'm not sure.
Can someone help me understand how to end a track, including fade out, or even cross fade, without a burp?
As I indicated in my first post today, I'm also confused about the 2 sec gap between tracks. How can you cross fade one track into another, and still put a gap of silence in between? And if you can do that, then why am I hearing silence on the test CD, when the software doesn't play silence before the burn?
Thanks,
Gene
I'm working on a CD. I notice that as I work, the end of the track is getting confusing. I guess I would have thoiught that as I slid a chunk of music back and forth, the track would keep lined up with the start and end of the music.
Anyway, I'm trying to live with the 2 second gap between songs, but I'm confused about the "end of the track" vs the "end of the sound byte."
When I play a test CD, I'm hearing soft burps at the very end of some tracks - perhaps only those tracks which I"m trying to do a fade out on.
My guess is that if I extend the "track" so it's longer than the "sound byte" I can eliminate this, but I'm not sure.
Can someone help me understand how to end a track, including fade out, or even cross fade, without a burp?
As I indicated in my first post today, I'm also confused about the 2 sec gap between tracks. How can you cross fade one track into another, and still put a gap of silence in between? And if you can do that, then why am I hearing silence on the test CD, when the software doesn't play silence before the burn?
Thanks,
Gene