HDV for "serious" stuff, but always delivered on SD DVD (still haven't had a single request for HD delivery, or even an inquiry about it -- and I live near Pebble Beach and Carmel, not exactly a low-end market).
Sony A1U absolutely love it
Canon HV10 great for quick and easy day-to-day spontaneous fun stuff, bring it with me everywhere due to its small size
one 3CCD SD cam I haven't touched since
two older SD cams gathering dust....
However, I did use one of the older SD cams to "capture" a movie on Comcast "On Demand" cable the other night, which sure looks better than using the old VCR to get a copy....
May experiment with recording HD programing using component out from HD cable box recorder to Canon HV10.....to keep quality up.
I just saw "Winged Migration" in HD on Discovery channel on my HDTV and was absolutely blown away at the gorgeous footage. Wouldn't mind having a copy of that in HD, hmmmm....
next project.....?
hdv,, for stuff of our own and hd stuff for a couple a shows ,,, but.... lots of client work still shot with the ole xl1 , and it is still an amazing cam.
HDV here - JVC HD100 (also have done a bunch with the Z1). Still do about 50/50 HD and standard def work. Most of my HD work is for event projection so being able to do low cost / high rez stuff has been a minor miracle. For "shiny disk" delivery am still downconverting to standard def mpeg 2 DVD, it does look amazing - better than what I could do starting from standard def -
HDV with FX1E. First experience with video after film. Locally, HDV consumer camera advertising is being coupled with the need for better definition to suit your HDTV set.
2- TRV950's one of them housed in a Light & Motion Bluefin Underwater housing with external monitor and wide angle port.
HDV bug has bitten but the itch isn't very bad. I'm having to consider my next steps regarding the format - I want a SONY 3 chip prosumer camera (form factor like the new HC7) with file based acquisition and editing in a small package that isn't AVCHD - oh did I mention I want it for under $2000??? LOL!!!
The problem on that one Serena, is that no one is doing an aluminum housing for the camera - Light & Motion and Amphibico settled on SONY for their LANC controller - Gates won't as far as I know - Plex housings aren't even worth mentioning due to their inferior duability and bulk. Otherwise I would be looking at the HV20.
Which reminds me - I need to shoot an email off to Gates Housings.... ;)
Our shop is still using a DSR500 (similar to the more current DSR450). We have had no requests from our clients for HD. These are all industrials, and generally for Fortune 500 companies. My guess is that they don't have HD displays deployed through their companies and so don't need HD programs for training. This is in the SF Bay area.
Trade shows and sales would be another matter, but for widespread training we generally cater to lowest common denominators - DVD players and SD TVs or computers with CD-ROM players.
What will drive us to HD will be the bosses's next documentary, and I know they aren't considering HDV at all.
One thing to find out from responders here is what region they're in. Australia seems to be much heavier into HD than the US.
HDV with FX1 and a new HC3, dubbed "BabyCam." Very close color match allows for nice two-camera edits at events. Audio is always 4-channel surround, with front 2 going on tape and rear two onto Sharp Minidisc.