I'm still cautiously dipping my toes back into the Vegas Pro waters once again after having used Adobe's apps (currently using PPro CS6, Audition CS6, Photoshop CS6) and Lightroom 5.5 now for the past 3 years now.
IN private discussion, friend and colleague Perrone Ford says stay as far away from Vegas as possible - as he was, at one time, a regular participant here but has since moved on to AVID Media Composer for his work (no thanks on that front). I'm still weighing the pros and cons of Vegas Pro 13 right now but it seems release 310 has become one of the most stable versions in a long time from what others here on the forums are saying - especially if you're willing to go the Radeon route for graphics cards (which I'm considering).
Currently I'm investigating a better solution for Audition as IMO, it's one of the best audio apps for post production available - their noise reduction feature puts Sound Forge 10 to shame IMO. I haven't been willing to invest in SF11 as I don't see any real difference and I use Noise Reduction extensively in my post workflow.
Maybe there are those who can state otherwise on the matter of Sound Forge.
My biggest concern is stability in post on the doc work I'm doing more of - projects that tend to be less than 30 minutes in length. The vast majority of footage shot on DSLR with Magic Lantern and custom profiles during acquisition and using PluralEyes for dual sync audio in post. The options are pretty limited these days - I've even considered going to the MAC platform and using FCPX but that's another issue in itself and for owner/operators like myself, budgetary constraints dictate purchasing decisions. On the Windows platform it's really only 3 options: Adobe (being held hostage), AVID (expensive and archaic in workflow) or Vegas (great methodology, but stability has plagued the app for several years now).
Resolve Light seems to be the best solution for color grading and bypassing all of Vegas' color correction tools and using it purely for cutting footage. I could be wrong here - anyone want to chime in stating otherwise? What about Magic Bullet & Colorista in Vegas?
Cineform appears to be the best solution for transcoding from what I can tell for editing in Vegas. DNxHD or ProRes in QT wrappers seems to plague Vegas and the gamma shift issue is one I'm not willing to battle with.
Just thought I'd brain dump here and see what others have to say on the various items I've mentioned.
Cliff
IN private discussion, friend and colleague Perrone Ford says stay as far away from Vegas as possible - as he was, at one time, a regular participant here but has since moved on to AVID Media Composer for his work (no thanks on that front). I'm still weighing the pros and cons of Vegas Pro 13 right now but it seems release 310 has become one of the most stable versions in a long time from what others here on the forums are saying - especially if you're willing to go the Radeon route for graphics cards (which I'm considering).
Currently I'm investigating a better solution for Audition as IMO, it's one of the best audio apps for post production available - their noise reduction feature puts Sound Forge 10 to shame IMO. I haven't been willing to invest in SF11 as I don't see any real difference and I use Noise Reduction extensively in my post workflow.
Maybe there are those who can state otherwise on the matter of Sound Forge.
My biggest concern is stability in post on the doc work I'm doing more of - projects that tend to be less than 30 minutes in length. The vast majority of footage shot on DSLR with Magic Lantern and custom profiles during acquisition and using PluralEyes for dual sync audio in post. The options are pretty limited these days - I've even considered going to the MAC platform and using FCPX but that's another issue in itself and for owner/operators like myself, budgetary constraints dictate purchasing decisions. On the Windows platform it's really only 3 options: Adobe (being held hostage), AVID (expensive and archaic in workflow) or Vegas (great methodology, but stability has plagued the app for several years now).
Resolve Light seems to be the best solution for color grading and bypassing all of Vegas' color correction tools and using it purely for cutting footage. I could be wrong here - anyone want to chime in stating otherwise? What about Magic Bullet & Colorista in Vegas?
Cineform appears to be the best solution for transcoding from what I can tell for editing in Vegas. DNxHD or ProRes in QT wrappers seems to plague Vegas and the gamma shift issue is one I'm not willing to battle with.
Just thought I'd brain dump here and see what others have to say on the various items I've mentioned.
Cliff