Discovering Filters!

Comments

rs170a wrote on 1/4/2005, 8:44 AM
/...a filter that is indicated for shooting in the snow...

First of all, I wouldn't use a yellow filter unless you want your entire video to have a yellow tint to it.
An ND (neutral density) filter will help to knock down the levels on a bright day. Whether to go with a 1, 2 or a 3 stop filter will depend on the brightness at the moment.
I'd also consider a UV, sky or haze filter as well. A UV filter is something you might want to leave on permanently. It won't affect indoor shooting and doubles as a protector for your lens.
A polarizer would also be a help - but there is a gotcha to be aware of. On a still camera, you set the focus, adjust the polarizer as desired and you're set. With most video cameras, unless you're using a matte box like Grazie does, the screw-on filter will continually rotate as the focus changes which will negate the desired effect.
You didn't say what kind of camera you're using but, if it's a consumer type, you may be able to use the filter holder mount from Cokin. Check the rest of their site for a lot more filters, shades, etc.
Cafe Cokin's filter guide hasd several before & after examples of how different filters affect the image.

Mike
Grazie wrote on 1/4/2005, 10:36 AM
Right!

1/- I got the pola for the reasons just outlined. I've tried with a 58mm and it is a nonsense! I twist and it works but it was fiddly. The matte box just makes stuff easy and kinbda correct in my thinking.

2/- I got the ND 0.3 Grad 'cos I wanna slice an angle will filming AND have the pola effect to be positional AND feel the shot AND keep detail too.

3/- I am presently not thinking OR even considering of colour casting my film work . . I want to get stuff back to base in fine fetle and giving me that litle bit of umph that I am starting to achieve . .

Best regards,

Grazie