OK, well ive been working on some web samples for my site and ive encoded all my 4:3 stuff to 4:3 wmv. im happy wiht the results for what they are...
Some of tehsse samples have had filters added, or transition put in place (such as flash or mondrian) as Im not about to get a potential client to sit through an entire piece
In any case, ive been working on more of the latest stuff which is in native 16:9
Now to get this to work in WMV without hassles, you have to encode by making sure that the "do not letterbox" box is UNCHECKED. this will letterbox your 16:9 footage and show it properly as WMV doesnt recognise pixel aspect ratio aside from square 1.0 or HD 1.33
which is pretty stupid if u ask me, but thats MS for you..
Ok, so we uncheck our lil box to make sure our widescreen stuff isnt vertically strecthed right... OK
Now though, IF a transition is used or filter for that matter such as film, the filter will ALSO be visible within this letterbox.
Ie, the balck bars above and below the footage will also carry that transition across to teh next scene.
Now not only dies this take up bandwisth, but its pretty bloody stupid considering there is supposed to be no data in these areas.
So why is vegas allowing this bleedthrough to happen? It happens on ANYTHING you encode if you do not use a physical track layer with a mask
as it stands, i now have to encode the video as letterboxed 16:9, then reimport that file, add a 16:9 mask to hide the bleedthrough then render AGAIN out to WMV this time with the checkbox ticked coz i dont want it to squish anything
STUPID STUPID STUPID
A letter box should be a physical mask which carries NO data. in turn the additional bandwidth theoretically shifts to motion, contrast and luma areas allowing for a cleaner more efficient and accurate encode..
this is ABSOLUTELY ridiculous.
Some of tehsse samples have had filters added, or transition put in place (such as flash or mondrian) as Im not about to get a potential client to sit through an entire piece
In any case, ive been working on more of the latest stuff which is in native 16:9
Now to get this to work in WMV without hassles, you have to encode by making sure that the "do not letterbox" box is UNCHECKED. this will letterbox your 16:9 footage and show it properly as WMV doesnt recognise pixel aspect ratio aside from square 1.0 or HD 1.33
which is pretty stupid if u ask me, but thats MS for you..
Ok, so we uncheck our lil box to make sure our widescreen stuff isnt vertically strecthed right... OK
Now though, IF a transition is used or filter for that matter such as film, the filter will ALSO be visible within this letterbox.
Ie, the balck bars above and below the footage will also carry that transition across to teh next scene.
Now not only dies this take up bandwisth, but its pretty bloody stupid considering there is supposed to be no data in these areas.
So why is vegas allowing this bleedthrough to happen? It happens on ANYTHING you encode if you do not use a physical track layer with a mask
as it stands, i now have to encode the video as letterboxed 16:9, then reimport that file, add a 16:9 mask to hide the bleedthrough then render AGAIN out to WMV this time with the checkbox ticked coz i dont want it to squish anything
STUPID STUPID STUPID
A letter box should be a physical mask which carries NO data. in turn the additional bandwidth theoretically shifts to motion, contrast and luma areas allowing for a cleaner more efficient and accurate encode..
this is ABSOLUTELY ridiculous.