Admittedly...I've said several times that:
A: The JVC HD10 is not a sweet camera.
B: HDV will be a bitch to composite because of the content of color, or rather lack of it. (4:2:0)
Early tests of demo footage plus footage I shot of some Moab rocks from the HD10 weren't impressive in terms of pulling keys or layering.
Just got some footage from the JVC that while it's not quite as good as it would be as DV in the same conditions, this was lit very appropriately, managed by a VERY good DP guy that does a lot of production work for Cheyenne Pictures (Bruce Willis/Demi Moore company)
He was playing with this cam at a live event in Las Vegas, and wanted to have me do some compositing with the picture.
I gotta say that having a true pro that new the cam, and understood the lighting makes a much bigger difference than I would have thought it would have. He used Cokin glass on the front to balance out hotspots, he slightly under exposed anyway, and we were able to get a very nice image.
Vegas composited the M2T files with no problem at all, and by adding just a taste of unsharp mask, we got very clean and tight edges on the high contrast areas.
So...even though I'm still not totally overwhelmed with this camera, I find myself looking forward to Sony's HDV release in the next coupla months.
HDV still ain't HD Cam, but it's quite affordable...and 1080i looks awesome as an MPEG2 stream on DVD, and as a rendered 4:1:1 avi to DV. Even from a weak cam in the right hands.
The 3 chip cams will likely be very sweet indeed.
A: The JVC HD10 is not a sweet camera.
B: HDV will be a bitch to composite because of the content of color, or rather lack of it. (4:2:0)
Early tests of demo footage plus footage I shot of some Moab rocks from the HD10 weren't impressive in terms of pulling keys or layering.
Just got some footage from the JVC that while it's not quite as good as it would be as DV in the same conditions, this was lit very appropriately, managed by a VERY good DP guy that does a lot of production work for Cheyenne Pictures (Bruce Willis/Demi Moore company)
He was playing with this cam at a live event in Las Vegas, and wanted to have me do some compositing with the picture.
I gotta say that having a true pro that new the cam, and understood the lighting makes a much bigger difference than I would have thought it would have. He used Cokin glass on the front to balance out hotspots, he slightly under exposed anyway, and we were able to get a very nice image.
Vegas composited the M2T files with no problem at all, and by adding just a taste of unsharp mask, we got very clean and tight edges on the high contrast areas.
So...even though I'm still not totally overwhelmed with this camera, I find myself looking forward to Sony's HDV release in the next coupla months.
HDV still ain't HD Cam, but it's quite affordable...and 1080i looks awesome as an MPEG2 stream on DVD, and as a rendered 4:1:1 avi to DV. Even from a weak cam in the right hands.
The 3 chip cams will likely be very sweet indeed.