Frame rate change to digitized 8mm film

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mark-y wrote on 9/7/2023, 9:21 AM

Just a sidenote -- most early consumer film transfers in the late 1980s and 1990s were done with a five-bladed aerial (no lens!) projector captured to interlaced AVI, giving us the infamous "3:2 Pulldown," which is actually quite easy to reverse engineer -- even the progressive conversions that end up on Youtube can be unbaked if nothing terribly weird has been done to them.

3d87c4 wrote on 9/7/2023, 1:56 PM

I just tried to convert to AVI, 4fps with VLC, and it remains 20FPS.

How would I convert/export to a series of frames?

 

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Robert Johnston wrote on 9/7/2023, 6:20 PM

I displayed my 8mm film on a screen with the original projector (Kodak) and then recorded the screen with a 29.97 fps camera. It still flickered in places. There's this little metal clip that is supposed to keep the film steady in front of the lens, but it would sometimes quite often start vibrating. It's not permanently affixed to the camera. Fortunately, the Flicker Removal fx in Vegas helped with that a lot.

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EricLNZ wrote on 9/7/2023, 6:31 PM

@Dexcon Apologies for the confusion but I did say "the flicker would be unwatchable". I wasn't referring to the film image motion smoothness. That's another matter and I agree with your comments. My comment "So effectively you see 16 x 3 = 48 images per second which we perceive as continuous motion" was on reflection misleading". I should have said "So effectively you see 16 x 3 = 48 images per second which we perceive as a continuous image".

The flicker is of course caused by the blank screen between projected images. You don't see the image being dragged down by the claw ready to display as that would be very unpleasant to watch. Why projector designers made three blanks per frame instead of just one when the film is dragged down I don't know. Maybe it's an engineering issue, or helps reduce the heat on the film.

As for persistence in vision much of my old 16 fps Std 8 is of cycle racing and motion across the screen is smooth. So with film my vision is happy with 16 fps but not with digital which puzzles me. I find 25 fps digital jerky with movement across the screen so I shoot 50 fps. So with digital the 48 fps comment you mention makes sense. I gather it might have something to do with shutter angle.

jeff-a5681Jeff wrote on 2/20/2026, 8:53 AM
 

Nonetheless, the point of my comment was that there are heaps of YT channels that convert silent era film into (often) 60 fps and perhaps the OP can contact them to ask how they achieve smooth video in current day NLEs using hand-cranked 100 years old film footage.

I'd love any tips for how that is accomplished. I haven't been able to get anything close to that with digitizing old 8mm reels, especially with regard to the smoothness of motion and lack of choppiness.

3POINT wrote on 2/21/2026, 5:39 AM

@jeff-a5681Jeff Just a small test; since I do not have 16fps footage, I just created some 15fps footage from 50fps footage in Vegas. The created 15fps choppy footage, I imported in Davinci resolve and rendered to 60fps with optical flow resampling. See the result:

 the 50fps original

 the 15 fps version

the 15fps to 60fps version.

It will not look as smooth here, because the Forum re-encodes video uploads to 30fps. If interested I can provide the original files.

Last changed by 3POINT on 2/21/2026, 5:43 AM, changed a total of 2 times.

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