The Victim:
My Car
The Crime:
Putting two creases/dents in the right-rear quarterpanel.
Suspect:
Underpaid lawn boy.
Modus Operandi:
Careless use of backpack blower.
Alleged Motive:
Big corporate profits earned by mowing lawns quickly.
The Evidence:
5-7 fps, black and white security footage from 3 cameras, split onto one screen.
The Mission:
Review/critique my use of Vegas to enhance the video.
* Obtain VHS tape. Record the full screen "4-cam" video through VCR to my Sony MiniDV.
* Capture MiniDV to hard drive, import to Vegas 4.
* Split/copy to 3 different clips, 1 from each of the 3 cameras.
* Set project properties: interlace->interpolate
* Event Pan/Crop zoom in on each area in each clip.
* Apply max slow motion by control-drag edge.
* One clip was shot using an indoor camera shooting through a window. It was sunny outdoors so the view is nearly white, but shadows of the backpack and wheels of the car can be seen. To help, I added the "Levels" plug-in to video event FX. Using the Video Scope "histogram view", I adjusted the "input start" and "input end" (of the Levels plug-in) to make the graph occupy the entire scope, removing any black from the edges of the Video Scope histogram. I think this pulls out the most contrast?Is this right?
Any other tricks I can try? I don't have the equipment like you see on CSI where it magically pulls details resolution/frames from "fairy-land". Since the angle of the cameras, coupled with the 5-7 frames per second for each, and the old VHS tape, I think it would be difficult to win if the guy vehemently denied it.
thanks,
Mike
My Car
The Crime:
Putting two creases/dents in the right-rear quarterpanel.
Suspect:
Underpaid lawn boy.
Modus Operandi:
Careless use of backpack blower.
Alleged Motive:
Big corporate profits earned by mowing lawns quickly.
The Evidence:
5-7 fps, black and white security footage from 3 cameras, split onto one screen.
The Mission:
Review/critique my use of Vegas to enhance the video.
* Obtain VHS tape. Record the full screen "4-cam" video through VCR to my Sony MiniDV.
* Capture MiniDV to hard drive, import to Vegas 4.
* Split/copy to 3 different clips, 1 from each of the 3 cameras.
* Set project properties: interlace->interpolate
* Event Pan/Crop zoom in on each area in each clip.
* Apply max slow motion by control-drag edge.
* One clip was shot using an indoor camera shooting through a window. It was sunny outdoors so the view is nearly white, but shadows of the backpack and wheels of the car can be seen. To help, I added the "Levels" plug-in to video event FX. Using the Video Scope "histogram view", I adjusted the "input start" and "input end" (of the Levels plug-in) to make the graph occupy the entire scope, removing any black from the edges of the Video Scope histogram. I think this pulls out the most contrast?Is this right?
Any other tricks I can try? I don't have the equipment like you see on CSI where it magically pulls details resolution/frames from "fairy-land". Since the angle of the cameras, coupled with the 5-7 frames per second for each, and the old VHS tape, I think it would be difficult to win if the guy vehemently denied it.
thanks,
Mike