This job is for a fashion house whose theme is pretty much all B&W (think Milan gothic punk). I have to cut a lot of their previous catwalk shows into a fast paced demo reel. Seeing as how I'm forced to use a lot of previously cut material my transitions need to match.
What has me stumped is the realistic optical dissolves used. Tried using the luminance dissolve in Vegas, doesn't cut it. Fudged around using the Glow FX in Vegas and then AE, AE is sure more optical / film like than anything in Vegas but still not quite good enough plus although I could cut it in AE, I'm getting better at wrangling AE but not that good and this is going to involve a heck of a lot of cuts.
What I'm looking for is the look of opening the iris on a film camera, the highlights bleed and flare into the lowlights until the frame is all white.
Bob.
What has me stumped is the realistic optical dissolves used. Tried using the luminance dissolve in Vegas, doesn't cut it. Fudged around using the Glow FX in Vegas and then AE, AE is sure more optical / film like than anything in Vegas but still not quite good enough plus although I could cut it in AE, I'm getting better at wrangling AE but not that good and this is going to involve a heck of a lot of cuts.
What I'm looking for is the look of opening the iris on a film camera, the highlights bleed and flare into the lowlights until the frame is all white.
Bob.