Perhaps I'm doing things the hard way (wouldn't be the first time), but I find using a PNG (or TGA with alpha channel) works best for me. I drop it on the uppermost track and stretch it the length of the project. This lets me us P/C and track motion to adjust shots within the letterbox if the framing was not quite right.
Randy,
After going back to FCP for the night, i can't figure out how anyone is doing this with one click/step. Takes me 3.
You have to:
Change project properties to a new sequence.
Drag finished edited sequence into new sequence.
Apply Effects > Video > Matte > Widescreen.
Then render if you want to see it. (unless source was DV)
Yes it probably is not "one click" you know Mac users always thinking they have the best computers and programs on earth.
I used the Pan Crop adjustment and WOW works perfectly!
When I went to render this I noticed in AVI render area that there is an adjustment for WIDESCREEN...what would this do? The same job?
I have about 3 png's that I though I got from a post here a while back .
has ntsc 1:85 ,2:35 and 16x9 .
If anybody wants them I can email them to ya
they are 720 x 480 508 dpi
I use them to overlay on a separate vid track.
Filmy, et al, I still don't understand the need to buy something else (Zenote) or use something else (PNGs) to accomplish something that Vegas can already do.
If you have a clip already rendered in letterbox and render it again in another project with the same settings how do you prevent the expansion of the overscan?
Well, when my 2.66 x1 scope got processed from film to tape it came out somewhere around 2.3 x 1. After rendering (720 x 480) it came out
more like about 2.1 x 1, and if I render it again its chopped again and almost looks like 16 x 9. I must be overlooking something here.