OK this sounds like a real dummies question, I know.
PAL is 720x576 right, except the preview window is 787x576? So that's the true PAL DV frame size right. A bit more is needed to cover the horizontal blanking perid when coming of analogue source and the possibility of jittery syncs. I'm fine so far.
Now when I capture from say VHS or SP I'll get some black bars at the sides, makes sense. But cut that with DV material and I start to see a small problem. The effective frame sizes are different. Normally this isn't a problem, most TVs and monitors will mask this out. But with the advent of LCD monitors you can now see the whole frame and having the edge of the frame jump in and out is rather distracting. I know there's a few ways I can fix this, mask or zoom. But zooming in on the frame incurs a quality hit due to interpolation, yes I know Vegas does an excellent job of this but better it didn't have to. Masking bits off of all the footage seems a bit dim also.
Also I'm finding telling the graphic artist to make the stills 720x576 means they don't fill the frame. Again, easy enough to fix but again interpolation is involved. Telling him 787x576 seems to solve that problem but that's not what most seem to work to.
Anyone got a better handle on this than me?
Bob.
PAL is 720x576 right, except the preview window is 787x576? So that's the true PAL DV frame size right. A bit more is needed to cover the horizontal blanking perid when coming of analogue source and the possibility of jittery syncs. I'm fine so far.
Now when I capture from say VHS or SP I'll get some black bars at the sides, makes sense. But cut that with DV material and I start to see a small problem. The effective frame sizes are different. Normally this isn't a problem, most TVs and monitors will mask this out. But with the advent of LCD monitors you can now see the whole frame and having the edge of the frame jump in and out is rather distracting. I know there's a few ways I can fix this, mask or zoom. But zooming in on the frame incurs a quality hit due to interpolation, yes I know Vegas does an excellent job of this but better it didn't have to. Masking bits off of all the footage seems a bit dim also.
Also I'm finding telling the graphic artist to make the stills 720x576 means they don't fill the frame. Again, easy enough to fix but again interpolation is involved. Telling him 787x576 seems to solve that problem but that's not what most seem to work to.
Anyone got a better handle on this than me?
Bob.