I have read many posts on interlacing in this forum, and after a lot of trial and error I still can't seem to produce a video that doesn't have problems transferring to digibeta tape.
Here's my situation:
Source footage: DV PAL - Quicktime - Lower Field First - Captured in FCP
Project settings: DV PAL - Lower Field First
Whenever the footage is combined with graphics (progressive) and rendered directly to a final qucktime master (LFF) in one step the graphics will flicker.
If I render out the graphics seperately as a progressive DV PAL AVI file.
Then render out the video as a DV PAL AVI file (LFF) and combine the 2 files together I can render out a Quicktime uncompressed mov file in LFF that does not have graphic flicker.
Using FCP to layback this master file to Digibeta tape produces video jitter (reverse field order problems)
I know Digibeta is UFF. I know DV is LFF. I know I should keep everything in the same field order.
So what am I supposed to do?
Whenever I have DV footage I have to create a blurry progressive *.mov file, in order to lay it back to digibeta tape?
Or is there some missing step that should be taken between placing the Vegas created LFF Quicktime file into the FCP timeline for Digibeta layback?
Here's my situation:
Source footage: DV PAL - Quicktime - Lower Field First - Captured in FCP
Project settings: DV PAL - Lower Field First
Whenever the footage is combined with graphics (progressive) and rendered directly to a final qucktime master (LFF) in one step the graphics will flicker.
If I render out the graphics seperately as a progressive DV PAL AVI file.
Then render out the video as a DV PAL AVI file (LFF) and combine the 2 files together I can render out a Quicktime uncompressed mov file in LFF that does not have graphic flicker.
Using FCP to layback this master file to Digibeta tape produces video jitter (reverse field order problems)
I know Digibeta is UFF. I know DV is LFF. I know I should keep everything in the same field order.
So what am I supposed to do?
Whenever I have DV footage I have to create a blurry progressive *.mov file, in order to lay it back to digibeta tape?
Or is there some missing step that should be taken between placing the Vegas created LFF Quicktime file into the FCP timeline for Digibeta layback?