I need to fit over 2 hours of high quality stills onto a DVD.
I'm thinking that technically this should be a no brainer, after all they're stills, so long as I keep it simple, cuts only that is. All I need is to ensure that at every cut there's an I frame that can have as much bandwidth as it needs and the following B frames need, well no or very little bandwidth, all they've got to say is 'nothings changed at all'.
I do see two problems with this late night musing.
1) I could end up freaking out the decoder / DVD player as the min to max ratio of the stream will be very large.
2) How to get an encoder to play along with my scheme.
As I understand it Vegas and the MC encoder don't dance very closely, it's just left to flounder as best it can with no cues from Vegas about cuts. FCP and Compressor do dance a bit closer but even then you've got to set flags to tell the encoder to insert an I frame, that's mostly so chapters hit I frames and even so there's a lot of stills in this project, meaning a lot of markers.
So I'm hoping maybe someone knows of a real smart encoder that can work out where the cuts lie for itself, reading through something else about pulldown removal I see it's not that hard for modern code to compute that a video frame is a duplicate, so a mpeg-2 encoder might, maybe, be able to do this.
I guess I could just bite the bullet and author my first DL DVD, that'd give me more leeway, I know others have done it successfully and as this is around 8 separate programs I don't need to worry too much about the layer break issues.
From what I've read, best approach is to create two ISO images, one for each layer but what does one make as a preview copy for the client, I'm not hearing good stories about burnt D/L compatibility.
Bob.
I'm thinking that technically this should be a no brainer, after all they're stills, so long as I keep it simple, cuts only that is. All I need is to ensure that at every cut there's an I frame that can have as much bandwidth as it needs and the following B frames need, well no or very little bandwidth, all they've got to say is 'nothings changed at all'.
I do see two problems with this late night musing.
1) I could end up freaking out the decoder / DVD player as the min to max ratio of the stream will be very large.
2) How to get an encoder to play along with my scheme.
As I understand it Vegas and the MC encoder don't dance very closely, it's just left to flounder as best it can with no cues from Vegas about cuts. FCP and Compressor do dance a bit closer but even then you've got to set flags to tell the encoder to insert an I frame, that's mostly so chapters hit I frames and even so there's a lot of stills in this project, meaning a lot of markers.
So I'm hoping maybe someone knows of a real smart encoder that can work out where the cuts lie for itself, reading through something else about pulldown removal I see it's not that hard for modern code to compute that a video frame is a duplicate, so a mpeg-2 encoder might, maybe, be able to do this.
I guess I could just bite the bullet and author my first DL DVD, that'd give me more leeway, I know others have done it successfully and as this is around 8 separate programs I don't need to worry too much about the layer break issues.
From what I've read, best approach is to create two ISO images, one for each layer but what does one make as a preview copy for the client, I'm not hearing good stories about burnt D/L compatibility.
Bob.