I have NTSC project, both on timeline and rendered to MPEG 2 (NTSC DVD)What nis the best way to change NTSC to PAL, render timline or MPEG 2
Thank You.
There are two ways to do this, OK, more than two....but the easiest way is to take your already edited but not rendered project, and change the project settings to PAL.
Then use pan/crop on the first event/clip, and choose "match aspect ratio"
Now, Right click the modified event, then choose COPY.
Now, select all events on the timeline and then right click the first one, choosing PASTE ATTRIBUTES.
That's it.
I think "Maintain aspect ratio" is the default, so it probably doesn't need changing. But if you do, be careful with Paste Attributes since it copies all attributes (FX and keyframes and so on).
True indeed, unless he had pan/crop previously assigned, he'd still need to correct. And I'd failed to mention this will copy all attributes. thanks for pointing that out.
Voytek, frame rate is different, but Vegas already knows all of that...
I regularly go the other way, just by rendering to NTSC mpg. Haven't had to change AR, maybe I should carefully check the final DVD to see if it's OK, actually that may explain something, I think the circles were coming out oval, oops. Thanks SPOT!
As to render time, yes, they'll be HUGE. Still time costs little, feeding your source through a standards converter that'll do as good a job as Vegas will COST.
You must be.....Vegas does a better job than my Laird converter does, and it's a whole lot more money.
When I was on the VASST tour in Australia, the Canopus folks were shocked to see what Vegas could do with NTSC for PAL. All my training media was NTSC, but I needed to display it on PAL monitors. If it's good enough for very high end conversion companies to use in Hollywood, I'd guess it's good enough for most.
What specifically do you find troublesome?
I can only second what SPOT is saying, I've never had to do a NTSC to PAL conversion, certainly that's never going to produce pristine PAL becuase you're starting with a lower res source but going PAL to NTSC looks about as good as NTSC gets from what I can see.
I'd imagine the very best broadcast gear that includes motion estimation should get better results but that kit is very expensive and unless your material has a lot of fast motion I doubt you'll see musch improvement. Also of course it's probably not starting of with DV material as well.
I have seen some suggestions around this forum for some very complicated ways to do the conversion, I've never tried them but as they involve so much fiddling with things maybe that's where you're getting a quality loss. I just do a 'Render As' and all is sweet.
The problem we've had has been both ghosting from the interpolation (the exact same problem we had with the slow motion, too) and occassional stuttering during the quicker edits
While what we do is edted very quickly, with the on-screen action being also very fast, I really didn't expect the end results to be as bad as they were - certainly no where near good enough for us to release. In the end I approached a friend who works for Canopus UK and asked him to convert the film from PAL to NTSC for us. We get the results back tomorrow so I can't comment on whether their software conversion is any better
Oh, there is a trailer on the 'net for the PAL version of this film. I assume posting its URL so that you can see the sort of material I'm working with would be okay: http://www.asqg42.dsl.pipex.com/parental.zip