OT:Audio Specs for Enthusiasts

MH_Stevens wrote on 5/18/2007, 6:34 PM
I thought maybe some of you audio buffs would like to see the sound specs of a theater where I work as a volunteer for about five shows a month. Pretty impressive I think!

A. SOUND REINFORCEMENT
The House Sound Console is located on the House Right side of the auditorium in an open box, immediately in front of the Mezzanine. Most of the audio system hardware, amplifiers, etc. are in an audio equipment room located behind the Mezzanine. Audio and intercom lines terminate with XLR-3 connectors and video with BNC connectors.
B. SIGNAL ROUTING/CONSOLES
The Sound System is configured with BSS Soundweb which provides distribution of signals to House Right, House Left speaker arrays, House Center cluster, and delayed 4 1/2" ceiling speakers distributed in all Balcony and under-balcony areas. House program also feeds desired Lobby, Front of House, and selected backstage areas. A Stage Manager Audio Routing Panel routes Show Mic, Board Mix, Aux Program, and Paging to twelve (12) backstage zones.
An automatic mixer (8x1) is provided for talk-back (VOG) communication from control booths to House Center Cluster and the stage.
Distributed 4 1/2" speakers are mounted in the vertical lip of the stage and provide front fill. A portable JBL Custom shop system is also available for front fill.
1. HOUSE SOUND CONSOLE
The House Sound Console is a Soundcraft Series 5 with ten (10) VCAs. This unit has 48 microphone inputs, four (4) stereo returns, eight (8) group outputs, ten (10) matrix outputs, twelve (12) Aux outputs, stereo and mono main outputs, and LCR panning. Group and output section is located between channels 24 and 25.
Normal output distribution is as follows:
CHANNEL ASSIGNMENT
Matrix 1 House Left Cluster
Matrix 2 House Right Cluster
Matrix 3 House Center Cluster
Matrix 4 Subwoofers
Matrix 5 House Program
Matrix 6 Stage Lip
Matrix 7 Patch Panel
Matrix 8 Patch Panel
Matrix 9 Patch Panel
Matrix 10 Patch Panel
Aux 1-12 Patch Panel
Groups 1-8 Patch Panel
Stereo Main L&R Patch Panel
All inputs, outputs and inserts are routed through a local patch bay. There are dual power supplies for this console.
2. PORTABLE SOUND CONSOLES
(1) Yamaha 03D
(1) Yamaha O2R96
(1) Mackie ONYX 1220
3. MICROPHONE SPLITTERS
Forty-eight Jensen microphone splitters provide transformer isolated splits of all main sound console inputs to the stage monitor console (split B and split C (second monitor console, OB Van, etc.) There are ground lifts on B and C outputs.
4. HOUSE SPEAKER SYSTEMS
The House Speaker System consists of a Center Cluster and Subwoofer, located above the proscenium at House Center (in the first ceiling panel), and Left & Right Arrays located at the midpoint of the side walls flanking the proscenium. Center cluster is installed in half-space.
a. AMPLIFIERS
(14) Crown I-Tech 4000
(8) Crown I-Tech 6000
(1) Crown I-Tech 8000
(8) - JBL 6230 Power Amplifiers
(7) - JBL 6260 Power Amplifiers
b. SPEAKERS - CENTER CLUSTER
The Center Cluster consists of:
(3) JBL 2450J (with Aquaplas dusted domes)/2382 high frequency assemblies. Each high frequency assembly is separately powered with a Crown I-Tech 4000 amplifier channel.
(2) JBL 2123H, 10" speakers. Each is powered separately by a Crown I-Tech 4000 channel.
(4) JBL 2225H, 15" speakers, each powered by a Crown I-Tech 4000
(3) JBL VERTEC VT 4880 subwoofers, powered by (1) Crown I-Tech 8000.
Crossover frequencies are 200 Hz and 1,200 Hz, and 30 Hz to 80 Hz for the subwoofer.
c. RIGHT & LEFT CLUSTERS
Identical right and left clusters each consist of eight (8) JBL VERTEC VT-4888 line arrays powered with two (2) Crown I-Tech 4000s for highs, two Crown I-Tech 4000s for mids, and four (4) Crown I-Tech 6000s for lows.
All three arrays are controlled by integral DSP in each I-Tech. Modified JBL presets are utilized.
d. DELAY SPEAKERS
The delay speakers are ceiling mounted JBL 8110 4 1/2" speakers. There are ten (10) delay zones, each with no more than 10 ms. variation within any zone. The feed to delay speakers is derived from the signal to the center cluster.
Soundweb controls Balcony, Mezzanine, and under-Balcony delay zones. All power amp inputs to delay speakers are accessible via the patch bay and can be used for effects.
Stage lip 4 1/2" speakers are separately delayed and equalized (Soundweb).
5. STAGE MONITOR SYSTEM
(1) - Midas H3000 with 44 inputs plus 4 stereo returns.
There are two power supplies for this console.
(6) - JBL SP 212A Sound Power slant Monitors (12” x 1”)
(16) - JBL SRX4702 Monitors (12” x 1”)
(2) - JBL TTM149 High Power (Custom Shop) (14" x 1")
(2) - JBL CSR4718x-58 Sub Woofers
(2) - JBL Powered EON-15-G2 (15”)
(2) - JBL EON-10-G2 (10”)
(2) - Custom JBL tri-amp Side Fill Monitors (2 x 2225, 2 x 2123, 1 x 2445)
(4) - Fostex SPA-11 amplified Speakers
(6) - Galaxy PA5X140 (Hot Spot)
(2) - Lexicon PCM 91 Reverb Units
(1) - Yamaha REV 5
(1) - Lexicon PCM 81 Multi-Effect Processor
(1) - tc D-TWO Delay Unit
(7) - BSS FCS 960 (Two-Channel) Graphic Equalizers
(2) - BSS DPR 901 II Dynamic EQ
(2) - DBX AFS224 Feedback Suppressor
(11) - Crown I-Tech 4000 Power Amplifiers
(2) - Crown I-Tech 6000 Power Amplifiers
(1) - Crown I-Tech 8000 Power Amplifiers
(2) - DBX 900 Main Frames equipped with:
(9) - DBX 903 Limiter
(6) - DBX 904 Gates
(2) - DBX 902 De-esser
(2) - DBX 905 Parametric Equalizer
Multi-pin connector for Monitor Board appears DSL.
C. PORTABLE EQUIPMENT
1. MICROPHONES
(12) - AKG C-3000
(6) - AKG C414B/ULS
(5) - AKG-451 w/CK-1 capsule
(6) - AKG-451B
(2) - AKG D-112
(2) - AKG CK33/GN50E PODIUM MICROPHONES
(3) - Audio Technica AT-815R long shotgun
(3) - Audio Technica AT-857AM podium microphone
(6) - Audio Technica ATM33R
(1) - Avalon U5 Active Direct Box
(2) - Beyer C500
(2) – BEYER M88
(2) - C-Ducer CSX/6 Stereo Piano Pickup
(12) - Countryman FET-85 Direct Box
(8) - Crown PCC-160
(4) - Crown PZM-6S
(4) - Electrovoice RE 16
(2) - Electrovoice RE 20
(6) - Neumann KM-84
(6) - Neumann KM-184
(2) - Neumann KSM 105
(4) - Schoeps hypercardoid with collet cable
(2) - Sennheiser 431 with switch
(16) - Sennheiser 421
(2) - Sennheiser MKE-II lavaliere microphones
(2) - Sennheiser 441
(6) - Sennheiser E604
(2) - Sennheiser E609S
(4) - Shure SM-18B-CN
(2) - Shure Beta 52A
(8) - Shure Beta 56A
(8) - Shure Beta 57A
(8) - Shure SM-57CN
(8) - Shure SM-58CN
(8) - Shure Beta-58A
(8) - Shure Beta 58
(2) - Shure SM-58-S
(6) - Shure SM 81
(4) - Shure SM-85LC
(4) - Shure Beta 87A
(4) - Shure Beta 87C
(2) - Shure SM-91
(5) - Shure SM 98's
(6) - Shure SM-Beta 98S
(2) - Shure 55SH II
(2) - Sony ECM-44B Lavaliere
(8) - Westcam (Jensen Transformer) Direct Box
(4) - Vega T-82 hand-held wireless with SM87 capsule
(4) - Vega 77-C belt pack with Sennheiser MKE-II mics
(4) - Vega R42 VHF wireless receivers
(2) - Sennheiser SK-50 wireless transmitter
(1) - Sennheiser EM 3032 receivers
(12) - Sennheiser MKE-II lavaliere microphones
(4) - Sennheiser EM3532U Receivers
(4) - Sennheiser SKM5000 NBK (Neumann 105 capsule)
(8) - Sennheiser SK5012 with MKE II
(4) - Sennheiser Evolution EM550 G2
(6) - Sennheiser Evolution SKM 565 G2 (Handheld)
(8) - Sennheiser Evolution SK500G2 with MKE II
(4) - Shure U124D/ Beta 87A & Beta 58A and Beta 87 C capsules

Comments

farss wrote on 5/18/2007, 6:45 PM
What no Lake gear?
JJKizak wrote on 5/19/2007, 5:29 AM
How many hours did it take you to inventory that stuff?

JJK
johnmeyer wrote on 5/19/2007, 9:56 AM
Looks like you're casing the place for a robbery.
riredale wrote on 5/19/2007, 3:04 PM
If you guys are planning a robbery, I have first dibs on the speakers.

I'll install them here in my office, and when it comes time to clean the office, I'll just put in an audio sweep at high volume, then vacuum the carpet of all the dust shaken off the walls.