OT: audio warning for HV1U users

rs170a wrote on 7/27/2007, 7:00 AM
I came across this on the rec.arts.movies.production.sound newsgroup and, since there are a few users here, thought it should be mentioned.

***********************************
I just came off a long multi HV1U (10
Cameras) shoot and there are MANY, MANY Audio Issues. Besides what
has been noted in previous posts both here and on other forums, the
V1U has a big audio glitch. If you hot swap any of the xlr's (as in
unplug and replug while the camera is on) you run a better than a
50/50 chance that the channel or chanels with go either go dead or you
will hear noise and the vu meters will pin or the gain structure will
go haywire. Only way to get the camera audio back is to reboot (turn
off wait 10 seconds) and turn it back on.

This was not isolated 1 one camera or one production run. 10 cameras
with very dirrerent serial numbers. This issue was brought to the
attention ot the Sony USA reps as this was a pretty high profile shoot
for this camera and so far its has not been addressed.

Another thing to be aware of with this camera is in high RF
enviroments, RF can and does screw with the focus of the camera.
***********************************

Mike

Comments

24Peter wrote on 7/27/2007, 8:47 AM
Don't own that camera. But just wondering: what does RF have to do with focus issues?
Spot|DSE wrote on 7/27/2007, 10:26 AM
FUD
rs170a wrote on 7/27/2007, 11:35 AM
Spot, I asked the soundman who originally posted these comments and he referred me to the V1U ABC/NASCAR Tech Bulletin posting on the Cow forums.
The poster there goes into a lot more detail about technical concerns (both good and bad), including the focus issue.

Mike
Steve Mann wrote on 7/29/2007, 4:53 PM
1) Why would anyone need to hot-swap mics? On the other hand, I can see where a hot-swap of a powered mic could introduce a transient spike. Since the V1 and Z1 have some mic input functions controlled by the processor (menu selectable) this claim seems probable.

2) All processors and servo systems are sensitive to RF. They always have been. Hold a 1-Watt two-way radio near your camera and key it up and the odds are that your stabilization or autofocus will go crazy.

Steve Mann
farss wrote on 7/29/2007, 9:34 PM
SOP on any audio gear is to not shift plugs on mics with phantom power, period. If something goes wrong don't blame the gear.

With the amount of RFI around modern racetracks unless your gear is built to mil spec anything can and does go wrong.