Hi all,
First, for those struggling to get your work noticed, Don't give up!
Our documentary has been accepted by our local PBS station for broadcast. It was shot with a GL-1 and Sony 300. Edited completely on VV3. I passed on VV4 at the time. (Now have VV5).
Our original goal was for the doc to be distributed on DVD. I now must prepare a broadcast master. My plan is to apply the conservative 7.5 setting of the broadcast colors filter to my final rendered track to make sure It is broadcast safe.
What about the colors bars? Should I place them on the timeline and run trhe filter? or just add them when I print to tape.
They wish a beta sp master, I was plannig on making a broadcast version, render, and printing to DVCAM and then dubbing to a beta deck.
I do not have a stand alone scope so I did not want to create reference bars that are not correct for the program.
Any advice out there!
Phil
First, for those struggling to get your work noticed, Don't give up!
Our documentary has been accepted by our local PBS station for broadcast. It was shot with a GL-1 and Sony 300. Edited completely on VV3. I passed on VV4 at the time. (Now have VV5).
Our original goal was for the doc to be distributed on DVD. I now must prepare a broadcast master. My plan is to apply the conservative 7.5 setting of the broadcast colors filter to my final rendered track to make sure It is broadcast safe.
What about the colors bars? Should I place them on the timeline and run trhe filter? or just add them when I print to tape.
They wish a beta sp master, I was plannig on making a broadcast version, render, and printing to DVCAM and then dubbing to a beta deck.
I do not have a stand alone scope so I did not want to create reference bars that are not correct for the program.
Any advice out there!
Phil