OT - Ipod and finding track info

DelCallo wrote on 12/26/2006, 5:51 PM
Pardon the OT post, but, I doubt there is anywhere I could post this question with a higher chance of getting a good explanation.

My kids gave me the little 4GB I-pod for Christmas this year. I am in the process of importing hours and hours of music that I digitized from vinyl. I had a devil of a time figuring out that the best way to accomplish that was to burn each album to an RW-CD disc first, then import to I-tunes from there (don't know why they made it that way). At any rate, I succeeded as described above in transferring some music from my external HD's to the Itunes and will eventually load them onto the I-pod.

What really surprised me, though (and this is the reason for this post) is that an entire collection of Betthoven symphony recordings released in 1964 imported simply as Track 01, Track 02, etc., was instantaneously recognized track by track with the name of the symphony, the movement with key, date of the recording, etc.

How does Itunes do this? I would have been less surprised/impressed to see this had I been ripping commercially manufactured disks, but, what info was pressed into a 1964 recording that would allow Itunes to remotely determine so much info about that old recording.

BTW, we are all professional musicians here, and the kids got me this thing to play music on the go - I'm not interested in starting any battles for or against Apple. Just curious how they can be so knowledgeable about my recording.

Thanks for your responses.

Del

Comments

ultrafinriz wrote on 12/26/2006, 10:40 PM
As far as I know they are only using the basic info about disk length, number of tracks, track duration. Sounds like you got very lucky and marked your tracks much like the commercial version OR there are others like you who have done the same and uploaded the track info.
It seems far more common for a disk (like a CD single with one track 3:20 seconds long) to be misidentified since there are so many others with the same basic properties.

Anyone have good suggestions for getting CDs I've produced into the Itunes library or the CDDB (same thing I think) so that my clients see the tracks when they get home? Just one submission doesn't seem to cut it.

Jesse
DelCallo wrote on 12/27/2006, 4:56 AM
I continue to explore and experiment. Two dissimilar recordings from Beethoven collection were accurately recognized - I have no clue how that happened, but, a recording featuring Marylin Horne in Carmen where my digitized copy includes no track definitions went totally unrecognized.

Don't know what any of this means, but am determined to find the answer.

Caurso