Good converter+not too much money=not very great conversion.
Canopus ADVC 50 is a decent little converter, same with the ADS AV Link, and then there are all sorts of other devices that are simple. I'd strongly recommend avoiding the Hollywood or ATI brand of converters.
If you have a DV Camera, these can also act as converters. http://www.vasst.com/training/ohci.htm has a diagram on how to connect all this.
I get by with DAZZLE Hollywood. You can pick it up at Best Buy or Circuit City. I know it's not the greatest but I bought when I first started doing video and it has been working faithfully for over two years now.
Two options, if you're doing that many tapes, I assume they're VHS?
I've used both a D8 camera and the Canopus ADVC-300. Both have time base correction and DNR. You could pcik up a broken Digital 8 camera maybe from eBay, you only need working electronics, if the transport etc has died doesn't matter.
The ADVC-300 does give you more control, you can tweak settings on the fly, sits well with VidCap.
Bob.
I had a Dazzle unit that I finally gave away. There were to issues with it: it would constantly lose horizontal sync and the quality of the captured video was bad. There were vertical lines running across the screen that you could see during dark scenes, or on a really good TV on every scene. The Canopus models are much better. That's what I use now.
If you are converting 50 tapes, I would take that money and buy a dual DVD recorder / VHS combo deck. Just load in the tape and a blank DVD and press the copy button. It will save you six or seven hours of rendering and authoring time per tape and they are just a couple of hundred dollars I believe. A job of 50 tape to DVD conversions should pay for that.
I would agree with the DVD recorder / VHS combo for the quantity involved. In fact, I always recommend this advice to the customer; to do it themself, it is really quite easy to do. However, for my occassionally use, I would recommend the Canopus ADVC-100 for about $200 on ebay. The ADVC-100 is also supported by Vegas 5. Although I have not yet done it, it is my understanding that the ADVC-100 can be used for external previewing.
Yes the ADVC-100 works really well for external previewing whereas the Dazzle does not. This is going to be the thing I miss most when I transition to HDV.
If you're going down the ADVC route and you're doing 50 tapes you might find the extra bucks for the 300 money well spent, particularly if they're old tapes.
Bob.
Hey, wait a minute,... if you insert an ADVC 300 between the analog source and the DVD recorder firewire input, you could get video stabilization and every enhancement features without computer hasle and reconversion...
Anybody knows if the ADVC300 works as a stand alone A/D converter?
I dunno about the Canopus models, but my SONY DVMC-DA2 operates completely stand-alone. Heck, it operates stand-alone even when it's connected to a computer. You put analog in one side, digital comes out the other, and vice-versa too. It doesn't care what may or may not be connected. I can't think of any reason why a (good) converter wouldn't do this.
ADVC-300 works the same way, you can control all functions by switches on the unit. However some of the better HD/DVD recorders do have TBCs so don't spend more than you need to.
A couple of years ago I transferred some VHS cassettes to DVD. I gave a cheap price, convinced that the footage would capture straight through my deck (Sony GVF-900E) or mini-DV cameras (Panny DX110, Sony TRV40, Sony VX2000) to hard disk. They wouldn't do it and I didn't have a bridge/converter, so I had to record everything to mini-DV and then capture. It was a nightmare.
Are you guys saying that a Digital 8 camera is fundamentally different and will allow this, just like a bi-directional bridge/converter? A broken one on ebay has got to be dirt cheap and I've heard great things about the conversion quality.