Hi guys,
I described my plans in another thread earlier on, which has been mainly about monitoring options for 10 bit, 422 4K material the FS7 produces (me and John agreed that even though a UHDTV like Samsung "Quantum Dot" doesn't necessarily render Vegas output faithfully, it certainly does it beautifully - and in my particular situation, this is what suits my needs just fine).
Back to me new camera (I'm still waiting for it actually): are there any LUT packages specifically for it to be downloaded somewhere for use with Catalyst, Vegas Pro and Resolve - or do I need to rely on general Sony Slog ones? In Vegas, there are 3D Luts defined for F5/F55, but not for FS7. In Resolve, it's just the "Sony" category. Do I really need something Sony FS7-specific for best results?
Piotr
I described my plans in another thread earlier on, which has been mainly about monitoring options for 10 bit, 422 4K material the FS7 produces (me and John agreed that even though a UHDTV like Samsung "Quantum Dot" doesn't necessarily render Vegas output faithfully, it certainly does it beautifully - and in my particular situation, this is what suits my needs just fine).
Back to me new camera (I'm still waiting for it actually): are there any LUT packages specifically for it to be downloaded somewhere for use with Catalyst, Vegas Pro and Resolve - or do I need to rely on general Sony Slog ones? In Vegas, there are 3D Luts defined for F5/F55, but not for FS7. In Resolve, it's just the "Sony" category. Do I really need something Sony FS7-specific for best results?
Piotr