Matthew, let me ask you, and I'm trying to be smart or anything, but how is buying one of these monitors going to improve your film? What's wrong with the flip out monitor you have on the camera?
All the years I've shot film and video, I've never used a monitor for focusing. In all those years I've never had a shot out of focus (that started out of focus).
Shooting HDV, I've been told to use an external for focus, but my other two reasons are for "director viewing," (I like to have someone's eyes inthe monitor as I do the camera work)(it's tough for me to know if my shot was smooth beginning to end if I'm the one behind the lens) and also, I'm buying they RedrockMicro M2, which flips the image upsidedown. So I'd like to have a monitor that re-flips is so watching the shots isn't such a challenge. Also, it isn't rare that the client wants to look over my shoulder at what I'm shooting (I do cable commercials for a living). I do what I can to discourage this, but sometimes it can't be helped. And, when I have a particularly picky client, I WANT them to see each shot. That way there are no surprises when I deliver the final product.