I did a multi-cam shoot of a two hour concert recently. Three cams involved, one regular 8mm, one hi-8, one digi-8 (I know, a motly trio, but one has to work with what one has available).
Of course, the Digi8 transferred without a hitch. The Hi-8 tape, played through the Digi8 cam transferred with 6 early dropped frames - nothing to worry about - I don't quite understand why the dropped frames, but they occur before the music begins, so I won't worry about them).
The regular 8mm, also played through the digi8 transferred with 0 dropped frames - I monitored both audio and video during the transfer - all appeared to go well.
When I brought everything to the timeline to sync the three tracks, I found that the regular 8mm video was all garbled, and the audio was reduced in speed and pitch. The length of this track was approximately a third longer than the other two.
I've done a work around by first dubbing the 8mm to a digi8 cassette and transferring from the dub, but I'm curious as to why I might have experienced this problem - has anyone else?
Thanks in advance for any advice.
Caruso
Of course, the Digi8 transferred without a hitch. The Hi-8 tape, played through the Digi8 cam transferred with 6 early dropped frames - nothing to worry about - I don't quite understand why the dropped frames, but they occur before the music begins, so I won't worry about them).
The regular 8mm, also played through the digi8 transferred with 0 dropped frames - I monitored both audio and video during the transfer - all appeared to go well.
When I brought everything to the timeline to sync the three tracks, I found that the regular 8mm video was all garbled, and the audio was reduced in speed and pitch. The length of this track was approximately a third longer than the other two.
I've done a work around by first dubbing the 8mm to a digi8 cassette and transferring from the dub, but I'm curious as to why I might have experienced this problem - has anyone else?
Thanks in advance for any advice.
Caruso