Hello All. While I'm not new to Vegas either in Movie Studio Versions or Pro since version 9, I am curious as to what is the fastest workflow possible. Currently I'm working with wedding footage from my kid's on DV tape that was captured to Xvid .avi file. The footage is about 90 min total with half of that being salvagable. The footage is also from two camcorders.
I use a combo of FXs from NewBlue FX and Sony's stock for color correction, tint, white balance, contrast and some stabilizer control. I also clean up the audio with plugins as well.
When using the composite feature, my playback is absolutely a crawl. If I 'mute' the 2nd video track everything runs in the the first video track (Camera A) is nearly seamless in flow (even with effects).
I constantly have to 'pre-render' a looped section just to see if the two cameras blend in sync with standard transistions. This is taking forever and becoming a real killjoy.
So to all you seasoned pros who make a living with this software and have real professional deadlines, what is the 'very best practice' to maximize speed of workflow especially with camera A and camera B?
The burning thought I have in question: Do I perform all splits and transitions first, then add effects last? If so, there will be a huge amount of manually inserting and tweaking of the FX for each cut.
I do have VASST's Ultimate S Pro but have not really played with it yet other than the audit tool.
Here's my rig's specs as well:
ASUS 5 PN-D MOBO (Firmware up to date)
Super Talent 8 GB RAM 800 MHz (max onboard)
Intel Core 2 Quad 2.83 GHz, Overclocked to 3.3 GHz
EVGA Nvidia GTX 480 - Overclocked by EGVA - Drivers up to date
EVGA Nvidia GeForce 9500 GT for 3 monitor (to check status of temps and performance percentages.) Drivers up to date
Windows 7 Professional 64 bit SP1 up to date
Corsair HX-620 Power Supply
Corsair H-100 CPU Water Cooler
3 HP W2207 LCD Monitors
3 x 1 TB SATA II internal 7200 rpm 8 mb cache drives
Antec 1200 Case
12 Fans mostly on the casing but fans on GPUs and NorthBridge as well
JR: I'm curious of your feedback as well.
EDIT:
Sorry for confusion folks. I must learn to articulate on the forum better in the future.
I could not 'capture' with the Sony capture method via firewire because it did not 'see' the DV camcorder.
Not sure if this was due to Sony software in Vegas 9 or Windows VISTA. So I had to make three lefts in order to make a right turn...so to speak.
I captured the DV tape to DVD on a standalone Panasonic VHS/DVD hybrid burner.
Then I took that burned DVD into my desktop. I searched around for something (anything) that would convert the DVD into a workable .avi file format.
This is very telling for me as I have not read anywhere that not all avi file formats are created equal. So now that I have Windows 7, I supposed I should re-capture the media via firewire and Sony capture tool. Or should I just use the sony cap tool for the DVD? The goal is of course to get as pristine audio/video quality.
So it appears I have that capture issue. But my original questions still begs to be answered as well. Please advise. Thanks again in advance.
I use a combo of FXs from NewBlue FX and Sony's stock for color correction, tint, white balance, contrast and some stabilizer control. I also clean up the audio with plugins as well.
When using the composite feature, my playback is absolutely a crawl. If I 'mute' the 2nd video track everything runs in the the first video track (Camera A) is nearly seamless in flow (even with effects).
I constantly have to 'pre-render' a looped section just to see if the two cameras blend in sync with standard transistions. This is taking forever and becoming a real killjoy.
So to all you seasoned pros who make a living with this software and have real professional deadlines, what is the 'very best practice' to maximize speed of workflow especially with camera A and camera B?
The burning thought I have in question: Do I perform all splits and transitions first, then add effects last? If so, there will be a huge amount of manually inserting and tweaking of the FX for each cut.
I do have VASST's Ultimate S Pro but have not really played with it yet other than the audit tool.
Here's my rig's specs as well:
ASUS 5 PN-D MOBO (Firmware up to date)
Super Talent 8 GB RAM 800 MHz (max onboard)
Intel Core 2 Quad 2.83 GHz, Overclocked to 3.3 GHz
EVGA Nvidia GTX 480 - Overclocked by EGVA - Drivers up to date
EVGA Nvidia GeForce 9500 GT for 3 monitor (to check status of temps and performance percentages.) Drivers up to date
Windows 7 Professional 64 bit SP1 up to date
Corsair HX-620 Power Supply
Corsair H-100 CPU Water Cooler
3 HP W2207 LCD Monitors
3 x 1 TB SATA II internal 7200 rpm 8 mb cache drives
Antec 1200 Case
12 Fans mostly on the casing but fans on GPUs and NorthBridge as well
JR: I'm curious of your feedback as well.
EDIT:
Sorry for confusion folks. I must learn to articulate on the forum better in the future.
I could not 'capture' with the Sony capture method via firewire because it did not 'see' the DV camcorder.
Not sure if this was due to Sony software in Vegas 9 or Windows VISTA. So I had to make three lefts in order to make a right turn...so to speak.
I captured the DV tape to DVD on a standalone Panasonic VHS/DVD hybrid burner.
Then I took that burned DVD into my desktop. I searched around for something (anything) that would convert the DVD into a workable .avi file format.
This is very telling for me as I have not read anywhere that not all avi file formats are created equal. So now that I have Windows 7, I supposed I should re-capture the media via firewire and Sony capture tool. Or should I just use the sony cap tool for the DVD? The goal is of course to get as pristine audio/video quality.
So it appears I have that capture issue. But my original questions still begs to be answered as well. Please advise. Thanks again in advance.