Someone had asked me to evaluate VP for their possible use
on a new project. Looks good, sounds good, and it's
intuitive enough that I never bothered to download the
manual. (I did peek at the helpfile a couple of times).
One thing I never got to try before the demo ran out is
VP's operation with timecode/MTC. I used some
existing .avi's and ran them successfully with a boatload
of tracks and effects, but the system I was demoing on
wasn't set up to lock the project to incoming code--
mandatory for the intended use.
I'd like to hear results from users who are locking to
videotape and/or sequencers. How's the lock? How
gracefully can you swith from lock to 'free' operation?
How well does it deal with new offsets and revisions? Does
it properly recognize various frame rates, DF/NDF code, etc?
In the brave new world of multiple delivery requirements,
VP looks like it packs the power. This is hot!
PSP
on a new project. Looks good, sounds good, and it's
intuitive enough that I never bothered to download the
manual. (I did peek at the helpfile a couple of times).
One thing I never got to try before the demo ran out is
VP's operation with timecode/MTC. I used some
existing .avi's and ran them successfully with a boatload
of tracks and effects, but the system I was demoing on
wasn't set up to lock the project to incoming code--
mandatory for the intended use.
I'd like to hear results from users who are locking to
videotape and/or sequencers. How's the lock? How
gracefully can you swith from lock to 'free' operation?
How well does it deal with new offsets and revisions? Does
it properly recognize various frame rates, DF/NDF code, etc?
In the brave new world of multiple delivery requirements,
VP looks like it packs the power. This is hot!
PSP