After seeing it on DVD. I am impress(Sony EX 1 Cam) that these camera's have a high enough image quality they can be use for Film airing and Broadcast TV.
Furthermore, you always hear that these little cameras would be a good B camera. But not good enough for a film release or nationwide TV Commercial. Now … I am sold on those cameras imagery … they were filmic and had a Highend HD look. The movie and editing was incredible. (Behind the Scenes). A lot of the filmmaking was using Green Screen technology. The stage production along was in the millions. But to see them using 2 small EX Cam instead of a full size EX Cam on the biggest concert/film production in the world … really inspired me.
In addition, The Kardashian Show was recently filming with the Sony EX 1 Cam. Usually when I watch Reality Show most on the time I see a full size camera. But this latest episode they were using a Sony EX 1 Cam. And, the quality looks great.
Director of Photography Tim Paterson was the special guest at the LA event. He shared his thoughts on the EX350 and discussed his experiences shooting the recent documentary Michael Jackson’s This Is It with the EX1 and EX3.
Furthermore, you always hear that these little cameras would be a good B camera. But not good enough for a film release or nationwide TV Commercial. Now … I am sold on those cameras imagery … they were filmic and had a Highend HD look. The movie and editing was incredible. (Behind the Scenes). A lot of the filmmaking was using Green Screen technology. The stage production along was in the millions. But to see them using 2 small EX Cam instead of a full size EX Cam on the biggest concert/film production in the world … really inspired me.
In addition, The Kardashian Show was recently filming with the Sony EX 1 Cam. Usually when I watch Reality Show most on the time I see a full size camera. But this latest episode they were using a Sony EX 1 Cam. And, the quality looks great.
Director of Photography Tim Paterson was the special guest at the LA event. He shared his thoughts on the EX350 and discussed his experiences shooting the recent documentary Michael Jackson’s This Is It with the EX1 and EX3.