Given all the changes in Vegas, I decided to do an updated video on basic color correction and rendering. This tutorial gives basic tips, tricks, and provides an overview of the overall workflow. Vegas Pro 21 is perhaps the best Vegas yet and has come so far in a relatively short time!!

thanks for making the explanation vids. Yes, indeed, the compositing mode called "multiply" is a brain twister. However, I specifically have no need to composite 2 layers that blend the pixel colors into a new color... I can't think of a scenario where I need that. If I were to do that, I imagine I would ruin the video image because the colors would be messed up and unnatural. But I would, on the

VEGAS Pro 19 update 2 B424 has this new feature called "Color Keys". You can emulate photo chemical process just by adding/subtracting the offset color channel using your Numpad/Numaric key on your keyboard. Watch this video to learn more:  

Dear all, After a long time I have here a new tutorial for you. And on a topic that I really enjoy! After I got myself an absolutely great HDR-capable OLED laptop, I thought that it would be of particular interest for many to get to know the workflow I use to grade 6K 50p BRAW footage to HDR here. And surprisingly, this now works quite well on this high-end laptop, and the device still inspires

With b 300, a lot of bugs have been resolved, that had existed at the time of writting this tutorial. I recommend to do most of the color correction in the decoder windows with b 300, since the color grading portal brings down the performance significantly. Hopefully, this will be corrected, since it is hard to avoid the RL color wheels really, for example to adjust the peak luminance. But do

Liebe Leute, nach langer Zeit gibt es mal wieder ein Tutorial von mir. Und zwar zu einem Thema, das mir besonders viel Spaß macht! Nachdem ich ja mir einen absolut tolles HDR fähiges OLED Laptop zugelegt hatte, dachte ich mir, dass es für viele von besonderem Interesse sei, mal den Workflow kennen zu lernen, den ich anwende um hier 6K 50p BRAW footage zu HDR zu graden. Und erstaunlicherweise geht

Very helpful for a fledgling color corrector, TY.

Here is a list of the locations of each item in Vegas to back up when formatting your PC! ⭐ Favorite plugins from: VFX, Transitions and Media Generator: %AppData%\VEGAS\VEGAS Pro\Favorite PlugIns Copy the folder completely. ⭐ Window Layouts and Keyboard Map Customized: %AppData%\VEGAS Pro\21.0 Just change the number at the end of the path to match your Vegas version.Copy the folder

@karma17, nice video! I'm still very new to Vegas Pro, having come over from being a long time user of Ulead's/Corel's VideoStudio, so this is a great introduction for me!! It would have been a nice extra to see the "before and after color correction " in the final part of your video where you show the final render. But either way, great information; keep making tutorials! Ron

VEGAS Pro 19 update build 458 has new transition called as GL Transition (OpenGL Transitions). There are 50 new presets of transition included, ready to be used... BUT, you can also add your own (😳😮), if you have coding skill like shown in https://gl-transitions.com/   Example 1 On the website you will find the missing transition "Heart" ( https://gl-transitions.com/editor/heart ). This

Media Generator Tutorial - 2

This is a new free tool for Movie Studio Platinum (Vegas Pro 14 project here) that allows the editor to make custom output level decisions without the need for video scopes. In some cases, it gives richer colors and range than using the output Studio RGB filter, which is foolproof but conservative. This project reflects a distillation of ideas from john_dennis, Marco., Nick Hope, musicvid,

Spyder2 Colorimeters can now be found for $20-40 on eBay, Craigslist, and Thrift Stores. Although not indexed for the latest generation of LCD displays, they are quite usable with a few tweaks for Windows 10 display graphics. A few of the reasons to have a calibrated display include: Screen / Printer / Scanner matching Grading using 3D LUTS, which are shareable between your display and

Just one of the many ways to color grade in Vegas Pro. In this video, I show how I use Color Curves, Color Corrector, Color Corrector (secondary), and Broadcast Color to do a basic grade. Other tips on grading in general are offered. The vector scope in Vegas does not have a marked skin tone line, but it is at 122 degrees.

Quick walkthrough of the ProType Titler in Vegas Pro. This features comes with 24 built-in animations for titles and text and allows room for much customization. And best yet, it comes standard with Vegas Pro. This tutorial covers basic operations of how to select an animation, preview it, change the text, font type, font size, color, and animation speed. Once these basic operations are

Vegas needs Recipes . It has the ingredients , We just need to know how to put it all together .   this project uses Chroma Key to cut a mask . Then the mask is stuffed into the alpha channel. Chroma key technique with Vegas : on the Green Screen source image , open FX Chroma Key and FX  Mask Generator .In the  FX  Chain list , Chroma Key comes First , in the chain . In Mask Generator , click

This is a quick tutorial on how to isolate a color against black and white. This effect relies on the secondary color corrector in Vegas Pro and utilizes the show mask feature to get the best possible color isolation. This effect was popularized in movies such as Sin City and Schindler's List and is relatively easy to do.

When I was working with new native LUT filter effect placed in Track level of Vegas Pro 15, I found a little color problem on the fading to the 'blank' part of image, where the color goes 'wrong' (White Flash-alike). The solution to this is to add the Envelope - Compositing Level of Track Level, or, change Pixel Format from 8-bit to 32-bit Video Level.     (also posted in forum

Additional Application and resources required: NewBlueFX Titler Pro (This tutorial was made on Titler Pro 4 release that time) Back To The Future 2002 Font by Cyril Bourreau   This was my first tutorial created in 2015, using NewBlueFX Titler Pro 4 release that time, along with Vegas Pro 13. I create this tutorial when someone asked in NewBlueFX forum how to create that famous 1985 time

At least I add here a english summary, for all who do not speak German: Workflow: - Import your BRAW files. - Enable HDR10 - so a typical ACES transformation to PQ 1000 nits. - Adjust the resolution to the original size of the BRAW clips - so I adjust them to 6K. Happens automatically, if you drop the first clip in the timeline. - Frame rate - for my 6K Pro 50p footage, I choose 25p on my laptop.

At least I add here a english summary, for all who do not speak German: Workflow: - Import your BRAW files. - Enable HDR10 - so a typical ACES transformation to PQ 1000 nits. - Adjust the resolution to the original size of the BRAW clips - so I adjust them to 6K. Happens automatically, if you drop the first clip in the timeline. - Frame rate - for my 6K Pro 50p footage, I choose 25p on my laptop.

Have you made any updates to this? This is a very helpful because this type of organizational chart helps you to figure out which effects might be helpful to solve a certain problem versus just looking at the whole list of 65 effects and not knowing what to do. In other words, it is like have a mechanic's tool box with everything in its place versus just having a box with a bunch of tools thrown

@Musicvid No. Does it have calibration features? I've pulled back from doing color in Resolve since I struggled to make accurate black and white point corrections with it. I'm back to fiddly VEGAS Color Curves.

I have a AMD Radeon VEGAS64 GPU, not Intel graphics on this machine. Believe it or not, it doesn't have a straightforward RGB channel mixing control. This is what it provides: I left that at those neutral settings. I tweaked the TV settings using my remote control to get in the ballpark. The last time I calibrated, on the "Interactive display adjustment - Whitepoint / White level" step, I'm