I have some footage from a Pixel2XL shot via FilmicPro with LogV2, and I have some footage shot on Panasonic GH4 shot with Cinelike-D. I have used LUT for each type of footage, with each LUT specific to the source and designed to translate to Rec.709.
Issue: While the colors look better and more standardized after the LUT (as hoped and expected), the Dynamic Range apparently has expanded enough to cause clipping at both ends of the histogram. If I reduce contrast, I can avoid some of the apparent crushing, but I don't really gain full Rec.709 range.
Any ideas about this? Anyone use LUT for similar purpose? Can you share your experiences/results/best practices? Thanks!